Page 201 - (DK) The Classical Music Book - Big Ideas Simply Explained
P. 201

ROMANTIC 1810–1920         199

        See also:  Prélude à l’après-midi d’un faune 228–231   ■  Le Sacre du printemps
        246–251   ■  November Steps 314–315   ■  L’Amour de loin 325

















                                                                            Gustav Mahler

                                                                            The second of 14 children of
                                                                            Jewish parents, Mahler was
                                                                            born in 1860 and spent his
                                                                            childhood in the Czech-
        of unknown regions. The decisive   Mahler wrote Das Lied von der Erde   speaking town of Iglau (now
        impetus for the cult of exoticism   while staying at the Hotel Bellevue in   Jihlava). He gave his first
        came in the 19th century, as     the Italian town of Cortina. The peaks   piano recital at age 10 and five
        European powers busily pursued   of the Dolomites provided a dramatic   years later entered the Vienna
                                         backdrop for his compositions.
        global empire-building rivalries.                                   Conservatory. His cantata Das
        At home, industrialization created                                  klagende Lied (1880) showed
        rapid growth in towns and cities,   east. Operas were set in alluringly   amazing early self-awareness,
        with populations living and      foreign settings, such as Giuseppe   exploring a spectral, folk-tale
                                                                            world in a vivid orchestral
        working in oppressive conditions   Verdi’s Aida (1871), a fictional story   style. A stellar conducting
        that generated an inner need for   of ancient Egypt. In orchestral   career led to the composer’s
        psychological escape.            music, Russia’s Nikolai Rimsky-    appointment in 1897 as artistic
                                         Korsakov based his symphonic       director of the Vienna Court
        Selling the exotic               suite Scheherazade (1888) on       Opera. Mahler wrote most
        The world of literature latched    stories from a collection of Middle   of his music—largely song
        onto the sales possibilities of exotic   Eastern folk tales that became   settings and symphonies—
        subject matter, as in the South Seas   known as The Arabian Nights. The   during summers among the
        tales of Robert Louis Stevenson   French composer Claude Debussy    Austrian lakes.
        (1850–1894) or the romanticized   found the piano especially suitable   Departure from the Vienna
        Native American world depicted    for suggesting images of remote   Court Opera in 1907 was
        in The Song of Hiawatha by Henry   worlds, using Javanese melodies    followed by conducting work
        Wadsworth Longfellow (1807–1882).   in Pagodes (Pagodas), from his   in New York. Mahler died soon
        Exoticism also flourished among   Estampes (Engravings) of 1903.    after returning to Europe from
                                                                            America, in 1911.
        painters. French artist Paul Gauguin
        (1848–1903) moved to the French   Life through new eyes
        Polynesian island of Tahiti in 1891,   Before he composed Das Lied von   Other key works
        to explore new avenues of artistic   der Erde, Mahler did not seem to be
        expression, aware that the European  influenced by the growing European   1888–1894  Symphony No. 2
        vogue for the exotic would ensure   love of exoticism. His choice of texts   (“Resurrection”)
                                                                            1892–1901 Des Knaben
        sales of his work in Paris.      for his songs and symphonies had   Wunderhorn (The Boy’s
           European classical music, too,   come mostly from one particular   Magic Horn)
        was drawn to the imagined sounds   area of Austro-German culture: the   1908–1909  Symphony No. 9
        of enticing worlds to the south and   folk poetry, usually anonymous, ❯❯





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