Page 220 - (DK) The Classical Music Book - Big Ideas Simply Explained
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218


                                         THE ART OF MUSIC


                                         ABOVE ALL THE OTHER

                                         ARTS IS EXPRESSION


                                         OF THE SOUL


                                        THE DREAM OF GERONTIUS (1900), EDWARD ELGAR







                                             n 1898, Edward Elgar was     composers wrote oratorios—large-
          IN CONTEXT                         commissioned to write a new   scale choral works on sacred themes.
                                         I large-scale choral piece for the   Few of these pieces stood the test
          FOCUS                          1900 Birmingham Festival. Elgar,    of time, and Elgar decided to
          English choral tradition
                                         a Catholic, chose to set the poem   produce something different.
          BEFORE                         The Dream of Gerontius by Cardinal   Oratorios, like the operas of
          1846 Mendelssohn’s oratorio    John Henry Newman. In the poem,   Mozart, were usually made up of
          Elijah has its first performance   Gerontius, a devout old man,   separate musical “numbers,” such
          in Birmingham, England.        dreams of his death and the journey  as arias and choruses. But with the
                                         of his soul immediately after he   work of late Romantic composers
          1857 At the Handel Festival in   dies. Elgar poured his own heart   such as Richard Wagner, opera had
          London, England, choirs of up   and soul into the work, inscribing it   evolved; Wagner’s operas consist
          to 2,000 sing Handel’s Messiah   with a quote from the social thinker  of music that flows continuously,
          and other oratorios.           John Ruskin that began, “This is   without a break, enabling the
                                         the best of me.”                 composer to build huge climaxes
          1882 Wagner’s Parsifal, based     England had a strong tradition   and express deep emotions. Elgar
          on a 13th-century German epic   of amateur choral singing in the   used this technique for The Dream
          poem, is his last and, for some,   late 19th century, and many English  of Gerontius, rejecting the term
          his greatest opera.                                             “oratorio” due to this lack of breaks
          AFTER                                                           between pieces. Like Wagner, he
          1903 Elgar continues to                                         employed a large orchestra with
          develop large-scale choral                                      a substantial brass section and
          works with The Apostles.                                        percussionists to reinforce the
                                                                          climaxes and underpin the most
          1939–1941 Michael Tippett         There is music in the air,    dramatic moments.
          composes his secular oratorio   music all around us, the world
          A Child of Our Time, which     is full of it and you simply take   The soul’s journey
          extends the oratorio still        as much as you require.       The Dream of Gerontius is in two
          further with the inclusion            Edward Elgar              parts. Part One portrays the death
          of American spirituals in                                       of Gerontius. It includes the gentle
          the score.                                                      prayers of his friends by his
                                                                          bedside, his passionate credo,
                                                                          “Sanctus fortis”—which expresses
                                                                          both his steadfast faith and his





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