Page 224 - (DK) The Classical Music Book - Big Ideas Simply Explained
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222


                                         SPANISH MUSIC


                                         WITH A UNIVERSAL



                                         ACCENT



                                         IBERIA (1906–1908)
                                         ISAAC ALBÉNIZ






                                                he piano suite Iberia     Barbieri—a composer and critic
          IN CONTEXT                            by Isaac Albéniz is a     who helped to revive the native
                                         T collection of 12 solo pieces,   opera tradition, the zarzuela.
          FOCUS                          published in four cuadernos (books).   Catalan composer Felipe Pedrell
          Nationalism in Spanish         Influenced by his friend Claude   also renewed interest in Spain’s
          music
                                         Debussy and the Impressionist art   musical heritage, both in classical
          BEFORE                         movement, Albéniz called these   and folk and dance music.
          1874 Francisco Asenjo          solo pieces “impressions”—each      Inspired by Pedrell, Albéniz and
          Barbieri’s El barberillo de    seeks to evoke a different place or   his contemporaries drew on the
          Lavapiés (“The little barber    aspect of life in Spain. The pieces   rhythms of Spanish dances, such as
          of Lavapiés”) is his most      in the last two cuadernos are    the northern jota and the fandango
          successful zarzuela (traditional   challenging to play, inspired by the   and zapateado from the south, as
          Spanish opera), a form he      virtuoso skills of Catalan pianist   well as Arabic-inspired melodies
                                                                          that evoked Spain’s history as
                                         Joaquim Malats, for whom Albéniz
          played a key role in reviving.
                                         wrote them. Nearly all of the pieces   Al-Andalus, a Muslim land. ■
          1890 Felipe Pedrell publishes   in Iberia are inspired by Andalusia,
          Por nuestra música (“For our   southern Spain, reflecting Albéniz’s
          music”), in which he explores   great love of the region. The single
          Spain’s musical heritage.      exception is “Lavapiés,” which
                                         echoes the joyful buzz of the Jewish
          AFTER                          quarter of Madrid.                   [Albéniz represents] the
          1915 Manuel de Falla’s Noches                                    reincorporation of Spain into
          en los jardines de España      Historical influences             the European musical world.
          (Nights in the Gardens of      In the mid-19th century, Spanish       Joaquín Rodrigo
          Spain) mingles French          music came alive after centuries     Virtuoso pianist (1901–1999)
          modernism with inspiration     of domination by foreign sounds.
          from Spanish folk music.       Romantic nationalism swept
                                         across Europe after the Napoleonic
          1939 Joaquín Rodrigo’s         Wars; in Spain, this gave rise to
          Concierto de Aranjuez evokes   figures such as Francisco Asenjo
          the history of the former royal
          summer palace of Aranjuez.     See also: The Bartered Bride 206   ■  Pictures at an Exhibition 207   ■
                                         Finlandia 220–221   ■  El sombrero de tres picos 223   ■  Appalachian Spring 286–287







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