Page 335 - (DK) The Classical Music Book - Big Ideas Simply Explained
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DIRECTORY     333



        an innovative use of harmony, unparalleled   Venice under Giovanni Gabrieli. In 1617,   servant to the wealthy dramatist and
        in Renaissance music, which won him   following his return to Germany, he was   poet Giulio Strozzi, who adopted Barbara
        many admirers in later centuries.    appointed kapellmeister at the court of   and may well have been her biological
                                         the electors (rulers) of Saxony in Dresden.   father. Strozzi studied under the
                                         His settings of biblical and sacred texts   composer Francesco Cavalli and was a
        ORLANDO GIBBONS                  transformed Lutheran church music,   member of the Accademia degli Unisoni
        1583–1625                        ranging from early psalm settings,   (Academy of the Like-Minded), a group
                                         Psalmen Davids (1619), to the great   of intellectuals founded by Giulio Strozzi.
        Orlando Gibbons came from a musical   Christmas Oratorio (1664), and three    She published eight volumes of music,
        English family. A celebrated keyboard   a cappella Passions (1665), dramatizing    mostly arias and cantatas for solo voice.
        player, he was appointed organist    the trial and death of Jesus.  Most are settings of poems dealing with
        of London’s Chapel Royal at the                                   love and its pains, including the cantata
        age of 21 and later became organist                               Lagrime mie (“My tears”) and the aria
        at Westminster Abbey. His sacred   JOHANN HERMANN SCHEIN          “Che si può fare” (“What can I do”).
        compositions included popular anthems,   1586–1630
        such as “O clap your hands together”
        for Church of England services. Among   Alongside Schütz, Johann Hermann   MARC-ANTOINE CHARPENTIER
        his secular works, he won the greatest   Schein was a key figure in bringing   1643–1704
        fame for songs such as “The Silver Swan”   Italian Baroque influences into German
        and “What Is Our Life” written in the   music. A native of Saxony, in 1616 he   From a family of painters, French
        madrigal style of which he was a master.   was appointed to the prestigious post    composer Marc-Antoine Charpentier
        His volume Parthenia with pieces for    of cantor at Leipzig’s Thomas Church.   switched his allegiance to music after
        the virginals (a smaller version of the   An early publication, Banchetto   being influenced by the composer
        harpsichord) was the first collection of   musicale (“Musical banquet,” 1617), was   Giacomo Carissimi in Rome. On his
        keyboard music published in England.   one of his few instrumental collections.   return to Paris, he held various posts,
                                         His vocal music includes both secular   including that of composer to Louis
                                         and sacred works. An outstanding work   XIV’s cousin, the Duchesse de Guise.
        GIROLAMO FRESCOBALDI             is Israelsbrünnlein (“Fountains of Israel”)   He worked with the dramatist Molière,
        1583–1643                        (1623), a collection of 26 motets based on   writing music for plays, including Le
                                         Old Testament texts written in the style   Malade imaginaire (1673), and wrote a
        Born in Ferrara in northern Italy, Girolamo   of Italian madrigals.   successful opera, Médée (1693), based
        Frescobaldi moved to Rome while still in                          on a play by Pierre Corneille. His best-
        his teens and was appointed organist at   JOHANN JAKOB FROBERGER  known sacred works are dramatic
        St. Peter’s Basilica in 1608. Apart from a                        motets (or short oratorios) written for
        period as court organist to the Medici   1616–1667                the Jesuit community. His reputation
        rulers of Florence, he remained at                                suffered from comparisons with his
        St. Peter’s for the rest of his life. His    Born in Stuttgart, Johann Jakob   archrival Jean-Baptiste Lully until his work
        music, mostly for organ, has a strongly   Froberger introduced Italian and French   was rediscovered in the 20th century.
        contemplative, mystical quality. Even   keyboard styles into German music. He
        his toccatas (pieces written to allow   studied in Rome with Frescobaldi before
        performers to show off their skills) are   being appointed organist at the court of  JOHANN CHRISTIAN BACH
        remarkable, less for virtuoso display than   the Habsburg emperor in Vienna in 1641.    1735–1782
        for dramatic intensity. One of his most   An organist as well as harpsichordist, he
        famous publications was Fiori musicali   was the first German composer to write   The youngest of J.S. Bach’s surviving
        (Musical Flowers, 1635), a collection of   important works for the harpsichord.   sons, Johann Christian Bach studied in
        organ pieces for church services.   Most influential were his dance suites,   Berlin and Italy, where he was briefly
                                         with pieces drawing on French tradition   organist at Milan cathedral and had
                                         in which each movement is inspired by   his first opera, Artaserse, performed
        HEINRICH SCHÜTZ                  a different dance form.          in Naples. In 1762, he was appointed
        1585–1672                                                         composer at the King’s Theatre in
                                                                          London, remaining in Britain for the rest
        Widely credited as the greatest German   BARBARA STROZZI          of his life. He became a dominant figure
        composer before J.S. Bach, Heinrich   1619–1677                   in English musical life, partly through
        Schütz was a major figure in introducing                          the series of highly popular concerts
        the new styles of the Italian Baroque to   The Venetian Barbara Strozzi was   he organized each year with his
        Germany. An early patron, Maurice of   known as a singer as well as composer.   countryman Carl Friedrich Abel. Apart
        Hesse-Kassel paid for him to study in   Her mother was Isabella Garzoni, a   from his operas, he was known for his






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