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334 DIRECTORY



        piano concertos, which were an   The latter was his most important   operas in total. His serious works include
        important influence on the young   legacy. His pupils included Beethoven,   Lucrezia Borgia (1833) and Linda di
        Mozart, who met Bach in London.  Schubert, and Liszt.             Chamounix (1842). His comic works
                                                                          include L’elisir d’amore (The elixir of
        CARL DITTERS VON                 JAN LADISLAV DUSSEK              love; 1832) and Don Pasquale (1843).
        DITTERSDORF                      1760–1812                        A major influence on Verdi, Donizetti
                                                                          is credited with introducing northern
        1739–1799                                                         European Romanticism into Italian opera.
                                         As the Classical movement gave
        Carl Ditters von Dittersdorf was a boy   way to Romanticism, the pianist and
        prodigy as a violinist in Vienna, but as   composer Jan Ladislav Dussek was    VINCENZO BELLINI
        an adult he made his name with light-  a major musical figure. Born in Caslav    1801–1835
        hearted operas. His most productive   (in the modern Czech Republic), he
        years followed his appointment as court   traveled widely in Europe before    The Sicilian-born Vincenzo Bellini wrote
        composer to Philipp Gotthard von   settling in London in 1789. Bankruptcy   10 operas, of which the masterpieces are
        Schaffgotsch, Prince-Bishop of Breslau,   after the failure of his music publishing   La sonnambula (1831), Norma (1831), and
        whose castle was an important cultural   business forced him to leave London    I Puritani (1835). In 1827, Il pirata— the
        and intellectual hub. Dittersdorf’s   in 1799, and he ended his days in the   first of six collaborations with the
        greatest operatic success, Doktor und   household of the French statesman   librettist Felice Romani—won him
        Apotheker (1786), helped to define the   Prince of Talleyrand. Dussek is best   international acclaim at La Scala in
        Singspiel genre (mingling songs and   remembered for his piano sonatas,   Milan. Encouraged by Rossini, he moved
        choruses with spoken dialogue),    which inspired Beethoven.      to Paris where I Puritani was premiered.
        which his friend Mozart would take                                With a gift for vocal melody, Bellini
        to new heights in Die Zauberflöte                                 was the master of the Italian bel canto
        (The Magic Flute) in 1791.       GIACOMO MEYERBEER                (“beautiful singing”) style, expressed,
                                         1791–1864                        for example, in the famous song “Casta
                                                                          diva” (“Chaste goddess”) from Norma.
        LUIGI BOCCHERINI                 Born into a wealthy Jewish banking
        1743–1805                        family in Berlin, Giacomo Meyerbeer
                                         won acclaim as a pianist while in his   MIKHAIL GLINKA
        Born in Lucca in central Italy, Luigi   early 20s, but his real ambitions lay in   1804–1857
        Boccherini had studied and worked in   composition. After a period of study
        both Rome and Vienna by the age of 20.   in Venice, where he came under the sway    Mikhail Ivanovich Glinka came from
        He became composer to the Spanish   of Rossini’s music, he had some success   a wealthy Russian landowning family
        king’s music-loving brother, Don Luis de   with the opera Romilda e Costanza    and abandoned a civil service career to
        Borbón, in Madrid, then later was court   (1817), but his breakthrough work was   study music in Italy and Berlin. Back in
        composer to King Frederick William II of   Robert le diable, based on a libretto by   Russia, his first opera, A Life for the Tsar
        Prussia. A cellist by training, Boccherini   the French playwright Eugène Scribe.   (or Ivan Susanin, 1836), based on the
        wrote symphonies and concertos (mostly   First performed at the Paris Opéra in   story of a 17th-century Russian hero,
        for cello) but is best remembered for   1831, it was a massive hit. Alongside   was well received in St. Petersburg. In
        more than 300 chamber works, string   Meyerbeer’s Les Huguenots (1836) and    this and later works, Glinka drew upon
        quintets in particular.          Le Prophète (1849), it helped to define the   folk songs to create music that was
                                         emerging genre of grand opera, appealing   authentically Russian. In 1845, Hector
                                         to the audience’s love of spectacle. His   Berlioz conducted a concert in Paris
        ANTONIO SALIERI                  influence was noticeable in the operas    with excerpts from Glinka’s works; this
        1750–1825                        of Verdi and even Wagner.        was the first time Russian music had
                                                                          been played in the West.
        The Venetian-born Antonio Salieri went
        to Vienna at the age of 16 and remained  GAETANO DONIZETTI
        there for the rest of his life, as court   1797–1848              CLARA WIECK SCHUMANN
        composer to the Habsburg emperor and                              1819–1896
        later imperial Kapellmeister. He made   Gaetano Donizetti, born in Bergamo, is
        his name as a composer of operas—of   regarded as the most important Italian   A child prodigy, Clara Wieck won
        which the best regarded is Tarare (1787),   opera composer between Rossini and   Europe-wide fame while still in her
        written for a Parisian theatre—but in   Verdi. Starting with Enrico di Borgogna,   teens. Around that time, she fell in love
        1804, he abandoned opera and began   first performed in Venice in 1818, his   with Robert Schumann, one of the pupils
        writing sacred music and teaching.    output was prolific, with 65 completed   of her father, who was a well-known






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