Page 91 - (DK) The Classical Music Book - Big Ideas Simply Explained
P. 91

BAROQUE 1600–1750          89


                                   Some of the dances in Water Music



                                                English hornpipe
                                             Bouncy, moderately paced
                                             dance in duple time (two
                     Minuet                                                        Bourrée
               French court dance in             beats to the bar).          A lively French dance
                 triple (waltz) time.                                           with folk roots.







                      Gigue                                                      Sarabande
                  A lively Baroque                                            A slow stately dance
               dance (jig) of Italian or                                       of Spanish origin.
                   French origin.



        Handel knew how to please an audience.
        Water Music contains popular dance forms
        from different parts of Europe.


        (1743), and Belshazzar (1745).   Lenten period, when its depiction
        Messiah was so popular that men   of adultery caused consternation.
        were asked to attend performances   Works such as this were essentially
        without their swords to create more   operas in English and are usually
        room for the audience.           performed as such today.
           Handel often presented these
        works himself, renting theatres and   National yet international
        hiring performers, and often netting  During a period when music was
        a  good profit. When a rival company  considered ephemeral and works
        provided stiff competition, Handel   were seldom heard in the years
        wrote a number of organ concertos   after their first performances,
        which he performed as interludes    Handel was considered a major
        during the performances. Unusual    composer in his lifetime. He was
        as this was, it provided a rare   probably the first composer whose
        opportunity to hear his great    work did not suffer a fall in popularity
        keyboard virtuosity in public    after his death. In England, he
        and was therefore something      helped to broaden interest in
        of a marketing masterstroke.     music beyond the confines of the
           The Handelian oratorio became   aristocracy and created a national
        so popular that Handel wrote     musical identity in an international
        secular works in the same style.    style that lasted until Edward
        He designated Semele (1744),     Elgar in the late 19th century. His
        which was based on classical     anthem Zadok the Priest, composed   Louis François Roubiliac’s memorial
                                                                          to Handel stands above his tomb in
        mythology, as a musical drama    for the coronation of George II, is   Westminster Abbey, UK. Just three
        “after the manner of an oratorio”   still used in the crowning of British   days before his death, Handel said
        and even presented it during the   monarchs today. ■              that he wished to be buried there.





   US_084-089_Handel_Water_Music.indd   89                                                           26/03/18   1:00 PM
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