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70      BRUSSELS  AREA  B Y  AREA


       Exploring the Musées Royaux des
       Beaux-Arts de Belgique

       Six centuries of art, both Belgian and international, are
       displayed in the museums that make up the Musées Royaux
       des Beaux-Arts. The combination of the museums contains
       works from many artistic styles, from the religious paintings
       of the 15th-century Flemish Primitives to the graphic art of
       the 1960s and 1970s. Regular temporary exhibitions are
       staged at the museums, which are very well set out, guiding
       the visitor easily through the full collection or, if time is short,
       directly to the art era of special interest. Each section is   Flemish still life, Vase of Flowers (1704) by
       highly accessible, with both main museums divided into   Rachel Ruysch
       different sections which relate to the art of each century,   collection of paintings by
       taking the visitor through galleries representing the varied   Baroque artist, Pieter Paul
       schools of art by period.               Rubens (1557–1640), which
                                               affords a fine overview of his art.
                           detail is exquisite and provides    As well as key examples of his
       Musée Old Masters
                           a fascinating window on the   religious works, there are some
       The Musée Old Masters exhibits   textiles, architecture and faces   excellent portraits, such as
       works dating from the 15th to   of the 15th century. Also on   Hélène Fourment (c.1614–73), of
       the 18th centuries. In the first   display are works such as   his young wife. Of special
       few rooms are works by the   Lamentation (c.1441) by Rogier   interest are the sketches made
       renowned school of Flemish   van der Weyden, the city painter  in preparation for Rubens’s
       Primitives (see p20). As is the   to Brussels during the mid-15th   larger works, including Four
       case with most art from    century, and The Martyrdom of   Negro Heads, for his iconic
       the Middle Ages, the paintings   Saint Sebastian (c.1475) by   Adoration of the Magi (1624).
       are chiefly religious in nature   Bruges artist, Hans Memling     Other works of note in this
       and depict biblical scenes and   (c.1433–94).  section are the paintings by Old
       details from the lives of saints.     Another unique aspect of    Masters such as van Dyck’s
       Many of the works show deeds   the section is the extensive   Portrait of a Genoese Lady with
       of horrific torture, martyrdom   collection of paintings by the   her Daughter from the 1620s
       and violence, attended by the   Brueghels, father and son. Both   and Three Children with Goatcart
       perplexing nonchalance of    were renowned for their scenes   (c.1620) by Frans Hals.
       the elegantly attired bystanders.   of peasant life. On dis play are   Representatives of the later
       A typical example is the diptych   The Fall of Icarus (1558) by   Flemish schools include Jacob
       The Justice of Emperor Otto III   Brueghel the Elder and The   Jordaens and his depiction of
       (c.1460) by Dirk Bouts, which   Struggle between Carnival and   myths such as Pan and Syrinx
       includes a gory beheading (a   Lent (c.1559) by his son, Pieter.   (c.1645) and Satyr and Peasant.
       famous miscarriage of justice      In the following rooms are   Baroque and Flemish art are all
       in the 12th century) and an   works from the 17th and 18th   well represented in the museum.
       execution by burning at the   centuries. A highlight of this     Also on display are some small
       stake. At the same time, the   section is the world-famous   sculptures that were studies of
                                               larger works by Laurent Delvaux,
                                               a leading sculptor of the 18th
                                               century. Most notably, Hercules
                                               and Erymanthian Boar is a study
                                               for the sculpture by the stair case
                                               in the Palais de Charles de
                                               Lorraine (see p65). Works of the
                                               Italian, Spanish and French
                                               schools are also rep resented,
                                               notably the Classical landscape
                                               painter Claude Le Lorrain’s poetic
                                               scene of Aeneas Hunting the Stag
                                               on the Coast of Libya (1672).
                                                 Other works on show include
                                               Vase of Flowers (1704) by Dutch
                                               artist Rachel Ruysch, who
                                               specialized in still-life paintings
       Lamentation (c.1441) by Rogier van der Weyden  of flowers and fruits.




   070-071_EW_Brussels.indd   70                            10/01/17   10:54 am
     Eyewitness Travel   LAYERS PRINTED:
     Flashmap follow-on template    “UK” LAYER
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     Date 7th January 2013
     Size 125mm x 217mm
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