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110      L ONDON  AREA  B Y  AREA

       Exploring the National Gallery

       The National Gallery has over 2,300 paintings, most kept on
       permanent display. The collection comprises paintings in
       the Western European tradition from late-medieval times to the
       early 20th century by artists including Botticelli, Leonardo,
       Titian, Rembrandt, Velázquez, Monet and Van Gogh. The bulk
       of the British collections are in Tate Britain (see pp86–9), while
       Tate Modern specializes in international modern art (pp182–5).


                           Important Netherlandish
       Early Renaissance    pictures, including some by   The Adoration of the Kings (1564) by
       (1250–1500): Italian and   Rogier van der Weyden and his   Pieter Bruegel the Elder
       Northern European Painting
                           followers, are also here, in the
       Three lustrous panels from    Sainsbury Wing.  the Vatican in Rome. These
       the Maestà, Duccio’s great              and other well­known names of
       altarpiece in Siena cathedral,          the High (or Late) Renaissance
       are among the earliest paintings        are extremely well represented.
       here. Other Italian works of            Exquisite Raphaels include the
       the period include his out­             famous Madonna of the Pinks,
       standing Madonna.                       only identified in the 1990s
         The fine Wilton Diptych               and bought by the gallery for
       portraying England’s Richard II         £22 million in 2004. Look out
       is probably by a French artist.         for Leonardo da Vinci’s charcoal
       It displays the lyrical elegance        cartoon of the Virgin and Child,
       of the International Gothic style       and his second version of the
       that swept Europe.                      Virgin of the Rocks. There are
         Italian masters of this style         also tender and amusing works
       include Pisanello and Gentile           by Piero di Cosimo, and several
       da Fabriano, whose Madonna              Titians, including Bacchus and
       often hangs beside another, by          Ariadne – which the public
       Masaccio – both date from the           found too bright and garish
       1420s. Also shown are works    St Jerome in his Study by Antonello da    when it was first cleaned by
       by Masaccio’s pupil, Fra Filippo   Messina (c.1475)  the gallery in the 1840s.
       Lippi, as well as Botticelli and          The Netherlandish and
       Uccello. Umbrian paintings   High Renaissance    German collections are weaker.
       include Piero della Francesca’s         Even so, they include The
       Nativity and Baptism, and there   (1500–1600): Italian,   Ambassadors, a fine double
                           Netherlandish and
       is an excellent collection of           portrait by Holbein; and
       Mantegna, Bellini and other   German Painting  Altdorfer’s superb Christ Taking
       works from the Venetian and   Sebastiano del Piombo’s The   Leave of his Mother, bought by
       Ferrarese schools. Antonello da   Raising of Lazarus was painted,   the gallery in 1980. There is
       Messina’s St Jerome in his Study   with Michelangelo’s assistance,   also a Hieronymus Bosch of
       has been mistaken for a Van   to rival Raphael’s great   Christ Mocked (sometimes
       Eyck; it is not hard to see why,   Transfiguration, which hangs in   known as The Crowning with
       when you compare it with Van            Thorns), and an excellent
       Eyck’s Arnolfini Portrait.                 Bruegel, The Adoration
                                                      of the Kings.













       The Annunciation (early 1450s) by Fra Filippo Lippi




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