Page 56 - Lighting & Sound America (December 2019) Magazine
P. 56

CONCERTS




                      The icon, fabricated by the tour’s scenic vendor, SGPS,  studies, with renders and diagrams, for the band to look at
                    is automated using the Navigator control system, operated  and choose,” Risueño says. “Because we needed to
                    by Jeff Lunsford. “The three pieces extend across the  quickly name so many designs for the presentation, they
                    three coordinate axes and meet in the center,” Risueño  ended up being absurd Spanish words—El Cangrejo [The
                    says. “Each arm is 60', covered in distressed acrylic,  Crab], La Gamba [The Prawn], El Camino [The Path]—to
                    which is wrapped with a dichroic material from 3M and  finally end up with the design called Bleacher Preacher,
                    edged by LED tape.” The dichroic material is called DF  named because it looks like a bleacher, but it is dedicated
                    Chill. “It’s used on architecture,” he adds, “and we chose it  to our three preachers.” He adds, “Bleacher Preacher
                    as a way of bringing some unexpected color nuances to a  looks like a cascade of weathered staging decks divided
                    very crude structure. This material is the joy in our war.”  into four steps. The piece lives downstage center during
                      The icon does more than simply move, Risueño says.  the show and it gets into place during the changeover in a
                    “One of the legs has a staircase. For the song ‘Save  matter of seconds.” Inside the Bleacher Preacher are ten
                    Yourself,’ Drew [Taggart], the singer, goes up there. We  JDC1 strobes, and, under the upstage portion, six GLP
                    also have some pyro in there. It’s a very multifaceted  impression X4s and Robe Spikies.
                    design.” Lighting is also embedded in the piece. “We have  The stage extends through a 20' thrust that flows into a
                    strobes [20 GLP JDC1s] and a few [Robe] Spikies [22],  24' B stage. The latter includes hidden flames and a lift for
                    and, at the end, [PRG] Icon EDGEs [4]. All these lights shift  a fiery drum solo. “It is reinforced so the Globe of Death of
                    color, depending on their angle of incidence with the  the motorcyclists can land on it,” Risueño says.
                    dichroic material; it’s like magic.”                 A Globe of Death for motorcycles? The tour’s executive
                      Also onstage is a large riser with the improbable name  producer, Corey Johnson, provides the explanation: “We
                    of Bleacher Preacher, which developed for the band’s  wanted to create this evolving sequence of moments and
                    European dates. “We did 32 different stage deck layout  spectacle that embraced and enhanced the World War Joy























































         56 • December 2019 • Lighting&Sound America
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