Page 61 - Lighting & Sound America (December 2019) Magazine
P. 61

drum solo.”                                        only the top end but the consistent and accurate cover-
                      He adds, “We have 12 [Pyrotecnico proprietary]   age with the low end is critical to the show. The
                    Stadium Shot [IIs] on the show; they line the thrust and are  Chainsmokers have a very dynamic sound that covers the
                    pointed at a 90° angle. In the last cue of the show, on  full spectrum of the frequency range and being able to
                    ‘Closer,’ there are five big beats at the end and we lock the  replicate it is very crucial.”
                    Stadium Shots on that.” Ten cryojets are placed on the  Specifically, there are fourteen K1s and six K2s per side
                    downstage edge of the main stage, with six surrounding  for the mains, eight K1s and eight K2s per side for the side
                    the B stage, along with two Le Maitre Freezefogs. “Clancy,  hang, eight flown subs per side and eight ground subs per
                    Matt, Miguel, Corey, and I come up with really cool ideas,”  side. “We are using all KS28s,” Nelson-Hauer says. “The
                    Vitale says, “but I have four guys on the road who have to  ground subs are in four blocks of four across the front car-
                    do it every night and I’m proud of the effort they put in to  dioid. For the flown subs, we tried a new configuration,
                    execute the plan that we put forth. We can come up with  which I have never tried before, with the cardioid sub at
                    stuff until the cows come home, but if you can’t execute it,  the top; it seems to do a great job for coverage. It also
                    then what good is it?”                             keeps the sub energy out of the roof, which is hard to con-
                                                                       trol in some of these bigger rooms. We are very happy
                    Audio                                              with the results.”
                    The front-of-house sound engineer Tristan Nelson-Hauer  The PA is provided by Rat Sound. “Working closely with
                    is using an L-Acoustics K1/K2 PA, with KS28 subs. He  Rat Sound Systems—Tom Worley and my system tech,
                    says, “We don’t like, we love the L-Acoustics system! It  Justin Lenards—we have come up with a great design that
                    was the best PA for the show. The overall coverage of not  is getting us the best possible result for everyone in the


























































                                                                                 www.lightingandsoundamerica.com • December 2019 • 61
   56   57   58   59   60   61   62   63   64   65   66