Page 348 - (DK Eyewitness) Travel Guide - Paris
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346      TR A VELLERS ’  NEEDS


       Cinema
       Paris can justifiably claim to be one of the world’s capitals of   area. The Rue Champollion is
       film appreciation. More than 370 screens within the city limits,   an exception. It has enjoyed a
       distributed among over 100 cinemas and multiplexes, screen    revival as a mini­district for
                                               art and repertory films.
       a fabulous cornu copia of films, both brand-new and classic.     Further to the south, Mont­
       American movies share the limelight with home-grown   parnasse remains a lively district
       dramas and comedies, and virtually every filmmaking industry   for new films in both dubbed
       in the world has found a niche in the city’s art houses. Cinemas   and subtitled prints.
       change their programmes on Wednesdays. The cheapest     For specific cinema venues
                                               see the Directory on page 348.
       practical guides to what’s on are Pariscope and L’Officiel des
       Spectacles (see p332) with complete cinema listings and
       timetables for some 300 films. Films shown in subtitled original   Big Screens and
       language versions are coded “VO” (version originale); dubbed   Picture Palaces
       films are coded “VF” (version française). Most children’s films are   Among surviving landmark
       shown in VF during the day. Paris’s Film Festival is held for one   cinemas are two Grands
                                               Boulevards venues, the 2,800­
       week in late June/early July. The system is that you pay full   seat Le Grand Rex, with its
       price for one film, after which a special card gives access to   Baroque decor, and the Max
       unlimited films at just €3 a ticket, for the duration of the festival.  Linder Panorama, which was
                                               refurbished by a group of
                                               independent film buffs in
       Movements in Cinema  same is true of The Da Vinci   the 1980s for both popular
       Paris was the cradle of the   Code, also featuring Amélie    and art film programming.
       cinematograph over 100 years   star Audrey Tautou.    The massive 14­screen MK2
       ago, when Auguste and Louis             Bibliothèque cinema (plus bar,
       Lumière invented the early film         shops and exhibition space) has
       projector. Their screening of   Cinema Zones  opened up in the revitalized
       L’Arrivée d’un Train en Gare de La   Most Paris cinemas are   13th arrondisse ment, and just
       Ciotat (Arrival of a Train at la   concentrated in several cinema   across the river, the UGC Ciné-
       Ciotat Station) in Paris in 1895 is   belts, which enjoy the added   Cité Bercy cinema complex is
       considered by many to mark   appeal of nearby restaurants   well worth a visit too.
       the birth of the medium. The   and shops. The Champs­Elysées     In the Cité des Sciences
       French reverence for film as a   remains the densest cinema   et de l’Industrie at La Villette,
       true art form is based on a   strip in town, where you can see   scientific films are shown at
       theory of one of the world’s first   the latest Hollywood smash hit   La Géode (see p240). This has
       film critics, Ricciotto Canudo, an   or French auteur triumph, as   a hemispheric screen (once
       Italian intellectual living in   well as some classic reissues, in   the world’s largest) and an
       France, who dubbed cine­  subtitled original­language   “omnimax” projector which uses
       matography “the Seventh Art” in   versions. Cinemas in the Grands   70­mm film shot horizon tally to
       1922. The title holds true even   Boulevards, in the vicinity of the   project an image which is nine
       today. The city was of course   Opéra de Paris Garnier, show   times larger than the standard
       also the incubator of that very   films in both subtitled and   35­mm print. Along the Canal
       Parisian vanguard movement,   dubbed versions. Boulevard de   St­Martin, MK2’s twin cinema
       the New Wave, when film   Clichy is home to two Pathé   complexes – Quai de la Loire
       directors such as Claude   multiplexes with a total of    and Quai de la Seine – are
       Chabrol, François Truffaut, Jean­  12 screens showing current   linked by a canal boat.
       Luc Godard and Eric Rohmer in   dubbed, French and VO
       the late 1950s and early 1960s   releases. A major hub of Right
       revolution ized the way films   Bank cinema activity is in the   Revival and Repertory
                                               Houses
       were made and perceived. The   Forum des Halles shopping mall.
       exploration of existential     The Left Bank, historically   Each week, more than 150
       themes, the use of long tracking   associated with the city’s intel­  titles representing the best
       shots and the rejection of   lectual life, remains the centre of  of world cinema can be seen.
       studios for outside locations are   the art and repertory cine mas.   For old Hollywood films, the
       some of the characteristics of   Yet, it has equally as many of the  independent Grand Action
       New Wave film. In 2001, the   latest block busters. Since the   mini­chain can’t be beaten.
       success of Amélie Poulain   1980s, many cinemas in the   Other active and thoughtful
       revitalized the Parisian film­  Latin Quarter have closed down   repertory and reissue venues
       making scene; many of its   and the main centre for Left   include the excellent Reflets
       locations are easy to spot as    Bank theatres is now the   Médicis screens in the Rue
       you walk around town. The   Odéon­St­Germain­des­Prés   Champollion and Les




   334-351_EW_Paris.indd   346                               03/04/17   2:53 pm
     Eyewitness Travel   LAYERS PRINTED:
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