Page 86 - BBC Music (January 2020)
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Chamber Reviews







                                                                                     subtle and many-shaded pieces, rich                  Biographical
                                                                                     in harmony and quietly engaging;                     fact: Mathilde,
                                                               Maximum tension:      John Corigliano’s Soliloquy is a
                                                               Tesla Quartet bring                                                        Schoenberg’s
                                                              colour to Corigliano   searingly emotional work written in                  first wife and
                                                                                     1995 in memory of the composer’s                     Zemlinsky’s sister,
                                                                                     late father. Carolina Heredia’s Ius                  had an affair with
                                                                                     in Bello, which dates from 2014, is a   a young painter, Richard Gerstl, who
                                                                                     politically-inspired work (the title   committed suicide when she finally
                                                                                     means ‘law of war’) driven primarily   rejected him. While Schoenberg’s
                                                                                     by events in Venezuela, but it works   Second String Quartet of 1908 was
                                                                                     convincingly as ‘pure’ music.        written while all this was happening,
                                                                                        The performances sometimes        the booklet note honestly concedes
                                                                                     live up to their promise. Both the   that there’s no clear evidence of a
                                                                                     contemporary pieces are well served,   similar connection in Zemlinsky’s
                                                                                     the ensemble finely navigating       (later) Second Quartet, let alone in
                                                                                     their pace, offering plenty of colour   Webern’s (earlier) Langsamer Satz
                                                                                     and achieving maximum tension        (Slow Movement). The justification
                                                                                     in the agonising Soliloquy. The      isn’t needed anyway: Schoenberg’s
                                                                                     Mozart, though, suffers from an      quartet, with a soprano voice in
                                                                                     imbalance between the unshakable     its last two movements, is one
                                                                                     clarinet and the wispy first violin   of his supreme achievements,
                                                                                     – one suspects from conflicting      while Zemlinsky’s 40-minute,
                                                                                     interpretations rather than the      single-movement creation is a
                                                                                     placement of microphones. Imagine    neglected masterwork.
                                                                                     the line of a blue felt pen beside     It’s therefore unfortunate that
             Telemann                            Telemann’s anthology Essercizii     that of a 2H pencil. It is fine to play   the playing style here – technically
             Telemann’s Garden: Fantasia         musici, long thought to have been   Mozart in what might for some        superb as such, but also insistently
             No. 7 in A minor – Lentement;       published in about 1740 but now     reason be considered an idiomatic    hard-edged, with exaggerated,
             Suite No. 5 in A minor; Fantasia    known to belong to an earlier       18th-century style without any       effect-conscious contrasts of volume
             No. 9 in B minor – Siciliana;       period, c1726.                      strength of tone, but not if a strong   and tone – is so inappropriate to
             Paris Quartet No. 3 in G;             The remaining pieces are          modern clarinettist is doing strong   the music itself, with close and dry
             Fantasia No. 1 in A minor; Trio     movements from the Fantasias        modern clarinet playing alongside.   recorded sound making the situation
             Sonata No. 10 in A minor;           for solo harpsichord, solo violin,   This performance remains as a       worse. Of course convincing
             Solo Sonata No. 9 in E minor –      solo flute, and another for viola   whole rather earthbound. The Finzi   alternatives can be found to the
             Recitativo & Arioso                 da gamba from Essercizii musici.    is more convincing and is presented   soft-grained, pliable Viennese sound
             Elephant House Quartet              The warm rapport of this Quartet    with a more homogeneous tone, but    the composers themselves knew
             Pentatone PTC 5186 749   58:56 mins   with Telemann’s deftly crafted and   here the two violinists have switched   and reckoned on. The in-your-face
                             The title of this   idiomatic instrumental writing      places. Sound recording is warm      manner of these performances isn’t
                             disc salutes        ensures an hour of uninterrupted    and clear. Jessica Duchen            one of them. A non-vibrato-then-
                             Telemann’s love of   pleasure. Regrettably three of these   PERFORMANCE            HHH       vibrato mannerism, replicated in
                             flowers. In August   four solo items have been limited   RECORDING               HHHH        phrase after phrase to the point
                             1742 he wrote to a   to a single movement. Why not let                                       of cliché (as at the start of the
                             fellow musician,    us hear the complete works? They    The Mathilde Album                   Zemlinsky), is especially dislikeable;
             Johann Friedrich von Uffenbach,     are not long and there was plenty of   Schoenberg: String Quartet        it also detracts from Elsa Dreisig’s
             expressing his passion for hyacinths,   space for them. Nicholas Anderson  No. 2*; Webern: Langsamer Satz;   beautiful soprano tone and fine
             tulips, ranunculi and in particular,   PERFORMANCE           HHHH       Zemlinsky: String Quartet No. 2      technical control. Malcolm Hayes
             anemones. Elephant House Quartet    RECORDING                HHHH       *Elsa Dreisig (soprano); Quatuor Arod  PERFORMANCE               HH
             have chosen a programme to reflect                                      Erato 9029542552   80:26 mins        RECORDING                   HH
             the imagined colours and fragrances   Joy & Desolation
             of Telemann’s garden.               Corigliano: Soliloquy; Finzi: Five
               The music is drawn from the five   Bagatelles; C Heredia: Ius in Bello;
             collections of instrumental music   Mozart: Clarinet Quintet
             that Telemann published in a period   Alexander Fiterstein (clarinet),                           BACKGROUND TO…
             between c1726 and 1738. It need not   Tesla Quartet                                              John Corigliano (b1938)
             worry us, unduly, that two of the   Orchid Classics ORC 100106   63:38 mins
             works here were written expressly                    Rather than                                 One of America’s most successful living
             for the transverse flute, since Bolette              splitting hairs                             composers, Corigliano has over 100 works to
             Roed is an outstanding recorder                      on whether the                              his credit. His First Symphony, which won him a
             player. Her accomplished technique                   Mozart Clarinet                             Grammy (the first of four) in 1992, was written
             and musical empathy ensure                           Quintet is really                           for the Chicago Symphony – Corigliano was its
                                                                                                              first ever composer-in-residence. His Second
                                                                  joyful, let’s
             fluency and stylistic propriety in the   leapfrog over this album’s slightly                     Symphony won him a Pulitzer Prize in 2001, just
           DARIO ACOSTA, J. HENRY FAIR  et Six Suites of 1734 and the G major   misleading title and note that   Original Score for The Red Violin. As a teacher, Corigliano continues to
             A minor Suite from the Six Concerts
                                                                                                              a year or so after taking home the Oscar for Best
                                                 Fiterstein and the Tesla Quartet have
             Quartet from the Parisian Nouveaux
                                                                                        serve on the faculty at both Juilliard and New York’s Lehman College;
                                                 assembled an unusual programme
             Quatuors of 1738. The third piece
                                                                                        his past students include Mason Bates, Nico Muhly and Eric Whitacre.
             of substance is the A minor Trio
                                                 of highly contrasted works that is
             Sonata for recorder and violin from
                                                 very effective. Finzi’s Bagatelles are
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