Page 50 - Star Wars Insider #181
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CINEMATIC FORCES




                                                                      04




                                                                                             Three


                                                                                         Outlaw



                                                                                       Samurai

                                                             04 / Finn marvels
                                                             at the opulence of               Director: Hideo Gosha
                                                             Canto Bight.                 (SAMURAI PRODUCTIONS 1965)
                                                             05 / The muted
                                                             tones of the Canto
                                                             Bight  casino are            eorge Lucas has acknowledged
                                                             a visual nod to
                                                             Hitchcok’s film.             that Akira Kurosawa’s samurai
                                                                                      G fi lms, particularly The Hidden
                                                                                      Fortress (1958), infl uenced many
                                                                                      of the plot points of the original
                                                                                      Star Wars, from its quest to save
                                                                                      a princess to its tagalong lowly
                                                                                      peasant characters, reconfi gured
                                                                                      by Lucas into the droids C-3PO
                                                                                      and R2-D2. Johnson also looked
                                                                                      to the chanbara (samurai) genre
                                                                                      for inspiration, particularly Three   06
                                                                                      Outlaw Samurai, made by director
                                                                                      Hideo Gosha.
                                                                      05
                                                                                        Gosha’s film is a prequel to the

                                                                                      1963 Japanese television series of
                                                                                      the same name, about a trio of
                the suave and sophisticated Master   Finn and Rose switching places with   ronin (masterless samurai) who
                Codebreaker the duo are seeking.   John Robie, but for the surprise that   wander Japan lending their swords
                  The introductory shots of the   the Cat would experience at coming   to protect the defenseless and the
                Canto Casino are a deliberate wink   face to face with sentient felines   poor. In contrast to Kurosawa’s
                to the gaming palace in To Catch   and assorted alien creatures of the
                a Thief. Both locations have color   Star Wars universe!
                palettes of muted browns and    To Catch a Thief’s infl uence
                greens, and the same off-white   doesn’t end with the production
                overhead source lighting. All the   design. Johnson wrote and fi lmed
                background characters in both   a sequence very much inspired by
                casinos are dressed to the nines   the concluding scenes of Alfred

                in gowns and tuxedos, and have   Hitchcock’s film, where John
                money to burn in games of roulette   Robie slinks along the rooftops,
                and craps (or the science-fi ction   searching for the real cat burglar.
                equivalent). One could envisage   Johnson’s version for The Last Jedi
                                              had Finn and Rose chasing after the
                                                                                      06 / Rey finds
                                              Master Codebreaker on the rooves        herself without
                “The introductory             of Canto Bight before getting           a master, as did
                shots of the Canto            caught by the cops. While that          Gosha’s ronin.
                Casino are a                  scene eventually ended up on the        07 / Johnson

                deliberate wink to            cutting room floor, Finn and Rose        looked towards
                                                                                      the chanbara
                the gaming palace             do momentarily end up on the            (samurai) genre
                                              rooftops while riding the fathiers
                in To Catch a Thief.”         away from the police.                   for inspiration.



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