Page 48 - Star Wars Insider #181
P. 48

CINEMATIC FORCES






                  Twelve


                 O’Clock


                         High



                       Director: Henry King
                    (20th century fox, 1945)


                   rom its title alone, Star Wars
                   promises epic battles in space,
                F and in this regard, The Last
                Jedi does not disappoint. The fi lm
                opens with a thrilling dogfi ght of
                Resistance X-wings and A-wings
                                                 01
                against First Order TIE fi ghters.
                Poe Dameron leads the charge
                for the Resistance in Black One,
                blasting all the turbolaser batteries   Johnson’s research and Twelve O’Clock High.  Group into a formidable fi ghting
                on the First Order’s Dreadnaught.   “I read a lot about World War II bombing   force. Adapted by Sy Bartlett and
                Seeing an opportunity to destroy   runs,” Johnson said in an interview for Wired.   Beirne Lay, Jr. from their own
                the Dreadnaught entirely, Poe   “How they worked and how [the bombers]   novel, and directed by Henry Ring,
                then disobeys General Organa’s   were big, un-maneuverable beasts that the more   Twelve O’Clock High differs from


                command and calls in the bomber   nimble fighters would have to protect… I also   most other war films of the time
                squad to make its run against the   looked at a bunch of World War II movies. So,   in that it depicts a realistic and
                giant warship. The A-wings and   Twelve O’Clock High was a big reference for me.”  grim view of the war from the eyes
                X-wings position themselves in a    Set during the early days of America’s entry   of the Army pilots and airmen.
                protective formation around the   into World War II, Twelve O’Clock High tells the   These soldiers have become jaded
                bombers, while Dameron fends   story of Brigadier General Frank Savage, played   from countless precision daylight
                off TIE pursuers. The inspiration   by Gregory Peck, and his ordeal to transform   bombing raids on Nazi-held areas
                for the sequence comes from both   the undisciplined and war-weary 918th Bomb   that took the lives of many of their
                                                                                      comrades. General Savage intends
                                                                                      to instill order and boost morale,
                                                                                      but at the end of the fi lm, suffers
                                                                                      a nervous breakdown of his own.
                                                                      01 / The design

                                                                      of the Resistance   The film shows that the brutality
                                                                      StarFortress    of war can crush the mettle of even
                                                                      bombers was
                                                                      based on World   the most disciplined of men.
                                                                      War II Flying     Apart from this grim message,
                                                                      Fortresses.
                                                                                      what makes Twelve O’Clock
                                                                      02 / Resistance   High stand out nearly 70 years
                                                                      fighters support   later—and one of the reasons the
                                                                      the bombing run.
                                                                                      Library of Congress selected it
                                                                                      for preservation—is the kinetic
                                                                                      bombing run that occurs toward
                                                                                      its climax. Cinematographer Leon
                                                                                      Shamroy filmed the actors in mock

                                                                                      cockpits and fuselages, and editor
                                                                                      Barbara McLean combined those
                                                                                      shots with documentary footage
                                                                                      of American and German planes
                                                                                      engaged in actual aerial combat
                                                                             02
                                                                                      during the war. The fi lm opens



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