Page 82 - (DK Eyewitness) Travel Guide - Lisbon
P. 82

80      LISBON  AREA  B Y  AREA


       Exploring the Gulbenkian Collection
       Housing Calouste Gulbenkian’s unique collection of art, the
       museum ranks with the Museu de Arte Antiga (see pp58–61)
       as the finest in Lisbon. The exhibits, which span over 4,000
       years from ancient Egyptian statuettes, through translucent
       Islamic glassware, to Art Nouveau brooches, are displayed in
       spacious and well-lit galleries, many overlooking the gardens
       or courtyards. The museum is quite small; however each
       individual work of art, from the magnificent pieces that make   Early 17th-century Persian faïence tile from
       up the rich display of Oriental and Islamic art, to the selection   the School of Isfahan
       of European paintings and furniture, is worthy of attention.
                                               Far Eastern Art
                           Assyrian culture, one of the   Calouste Gulbenkian acquired
       Egyptian, Classical and   seven Apkallu) carrying a   a large collection of Chinese
       Mesopotamian Art
                           container of sacred water dates   porcelain between 1907 and
       Priceless treasures chart the   from the 9th century BC.  1947. One of the rarest pieces
       evolution of Egyptian art from          is the small blue-glazed bowl
       the Old Kingdom (c.2700 BC)             from the Yuan Dynasty (1271–
       to the Roman Period (from the   Oriental Islamic Art  1368), on the right as you go
       lst century BC). The exhibits   Being Armenian, Calouste   into the gallery. The majority of
       range from an alabaster bowl   Gulbenkian had a keen interest    exhibits, however, are the later,
       of the 3rd Dynasty to a Roman   in art from the Near and Middle   more exuberantly decorated
       satyr’s head from the    East. The Oriental Islamic   famille verte porcelain and the
       2nd century AD.           gallery has a fine   Kangxi biscuitware of the 17th
         Outstanding             collection of Persian   and 18th centuries. Further
       pieces in the Classical   and Turkish carpets,   exhibits from the Far East are
       art section are a        textiles, costumes    translucent Chinese jades and
       magnificent red-          and ceramics. In the   other semiprecious stones,
       figure Greek vase and    section overlooking    Japanese prints, brocaded
       11 Roman medallions,    the courtyard, the either   silk hangings, bound
       found in Egypt. These   Syrian or Egyptian mosque   books and lacquerwork.
       are believed to have   5th-century BC   lamps and bottles,
       been struck to   Greek vase  commissioned by princes   European Art (10th–
       commemorate the         and sultans, are beautifully
       athletic games held in   decorated with coloured enamel   17th Centuries)
       Macedonia in AD 242 in honour   on glass. The Armenian section   Illuminated manuscripts, rare
       of Alexander the Great. In the   has some exquisite illustrated   printed books and medieval
       Mesopotamian art section, the   manuscripts from the 17th   ivories introduce the section
       large Assyrian alabaster bas-  century, produced by Armenian   on Western art. The delicately
       relief representing a winged   refugees in Istanbul, Persia and   sculpted 14th-century ivory
            demigod (in       the Crimea.      diptychs and triptychs, made in
                                               France, show scenes from the
                                               lives of Christ and the Virgin.
                                                 The collection of early
                                               European paintings starts with
                                               panels of possibly St Joseph
                                               and St Catherine by Rogier van
                                               der Weyden, leading painter
                                               of the mid-15th century in
                                               Flanders. Italian Renaissance
                                               painting is represented by
                                               Cima da Conegliano’s Sacra
                                               Conversazione from the late
                                               15th century and Domenico
                                               Ghirlandaio’s Portrait of a
                                               Young Woman (c.1490).
                                                 The collection progresses
                                               to Flemish and Dutch works
                                               of the 17th century, including
                                               two works by Rembrandt:
           French ivory triptych of Scenes from the Life of the Virgin (14th century)  Portrait of an Old Man (1645),




   080-081_EW_Lisbon.indd   80                              17/10/16   11:34 am
     Eyewitness Travel   LAYERS PRINTED:
     Flashmap follow-on template    “UK” LAYER
     (Source v1.5)
     Date 7th January 2013
     Size 125mm x 217mm
   77   78   79   80   81   82   83   84   85   86   87