Page 107 - Classic Rock (January 2020)
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REVIEWS





            The Damned


            London Palladium

            Britain’s first punks pull out all the stops, dive into the dressing-up box, slap on the slap and

            deliver a truly spectacular show. Oh, and they play some great and classic songs too.

                 There’s a horse-drawn funeral cortege slowly processing   theatrical show. Originally the idea was much more expansive, it
                 along Argyll Street towards the London Palladium. It’s being   was going to contain elements of theatre.”
            followed by a veritable horde of vampires. Hundreds of them. There   The Night Of A Thousand Vampires doesn’t give any impression
            are top hats as far as the eye can see, a significant acreage of capes,   of being a compromise. Vanian “wearing quite a lot of different
            phalanxes of fangs and more tourniquet-tight corsetry than even   hats” has worked closely with both The Circus Of Horrors
            Soho is accustomed to. Baffled tourists gape at the unexpected   and Hammer House Of Horror to deliver the most immersive                Dave Vanian
            prevalence of freshly drained Victorian virgins and make-up-caked   experience possible.
            walking dead. “Is London always like this?” “And who’s in the   The CoH provide an apposite warm-up slot with a supporting
            casket?” There’s a floral tribute; white wreaths fashioned into nine   extravaganza which is, just as Vanian describes: “An old-fashioned,
            letters that provide a solution: THE DAMNED.                 un-PC dangerous circus”. Swords are swallowed, ‘freaks’ caper,
              “Well,” observes Dave Vanian, driving force behind the     burlesque and circus skills collide in a flaming orgy of murderous
            audaciously ambitious Night Of A Thousand Vampires, of which   camp and pierced everything. Later the CoH’s performers interact
            this mock ceremony is only the initial instalment, “they’ve been   with The Damned in a succession of set-pieces during the band’s
            trying to bury us for years.”                                extensive two-part performance.
              While The Damned have had more than their fair share of       Hammer allowed Vanian unlimited access to beautiful film stills
            detractors since their formation in the white-hot crucible of 1976’s   from Christopher Lee’s Dracula and beyond, which (when back-
            UK punk rock explosion (forever fending off accusations of being   projected behind the band) add a touch of old-school cinematic
            a mere pantomime approximation of the genre from those with   class to proceedings. There’s also a string section, additional
            neither sense of humour nor perspective), the veteran combo’s star   musicians, actors, an unfamiliar set-list, ornate stage set, costumes,
            is very much in the ascendent. Again.                        hair, make-up and miscellaneous special effects to contend with.
                                                                                                                                        Pinch
              You probably don’t need a recapitulation of how we all got here,   It’s no surprise, then, that the hectic sound-check (which marks the
            but life’s a bitch, so here goes.                            string section’s first full rehearsal with the band) goes on for so long
              The Damned were the first punks to vinyl, with the timeless   that Vanian ultimately misses his own funeral.
            seven-inch New Rose. Their debut album followed in short order,   As the doors open and the ghouls begin to mass around the
            and they played their first farewell gig in April ‘78. They returned   Palladium’s bars, the band – completed by Black Album veteran Paul
            the following year without main songwriting guitarist Brian James.   Gray (bass), Monty Oxymoron (keyboards) and drummer Andrew
            Captain Sensible switched from four strings to six, Smash It Up   ‘Pinch’ Pinching – disappear into dressing rooms, to be transformed
            followed Love Song, and the rest is history (including a Sensible-  into cosmetically created creatures of the night. This is far from just
            free mid-80s when they enjoyed their second batch of Goth-   another night on the road. Especially for Pinch, who announced it
            defining hits, most prominently Eloise). Anyway, while the world   was to be his last performance with the band, after two full decades
            at large dropped an E, put on an anorak and looked the other way,   in the stool, just a couple of days ago.
            30 more years passed until, even with the good Captain firmly   “Twenty years he’s had to put up with us,” considers Captain,
            re-established under the red beret of destiny, The Damned looked   still reeling from Pinching’s shock announcement. “He’s a little bit
            to be ‘Sensible’s-A-Wanker’-ing their way towards the end-of-the-  younger, so he’s probably not ready to be part of me and Dave’s
            pier legacy punk circuit.                                    gentleman’s club of the road. I mean, we used to complain if the   Paul Gray
              “We were spiralling down,” Vanian admits, “and I wanted to   booze wasn’t right, now we complain if the tea bags aren’t the
            make one last really good Damned album.” And, having crowd-  right brand.”
            funded through PledgeMusic, that’s exactly what they did.       And they’re not just losing a drummer. “He does so much,”
              2018’s Evil Spirits, recorded with Bowie/Bolan producer Tony   says Sensible. “Not just stick-twiddling. He’s in charge of lots of
            Visconti in New York City, gave the band their first UK Top 10   aspects of the live show.” During the chaotic sound-check, Pinch
            album. It took them to the Royal Albert Hall, Madison Square   (perched high above the Palladium stage atop a makeshift tomb
            Garden and, oh yes, the London Palladium. But it’s not the first   which one imagines was probably mapped out on a napkin à la
            time that Vanian and Sensible have been to this venerable venue   Tap) doubles as ever-so-slightly tetchy musical director, pointing
            of variety. They’ve both attended shows here as punters. In the   out that classically trained string sections need actual written cues
            60s, Dave was treated by his parents to a performance of The   rather than a distracted “after the next bit”. And that somebody
            Black And White Minstrel Show.                                                         (mentioning no names) is playing
            And Captain? “In 1974 I went to                                                        climactic show closer Black Is The
            see The-Glam-Rock-Star-Whose-                                                          Night in a completely alien key. Oh
            Name-We-Dare-Not-Mention.”                                                             yes, he’ll be missed.                Captain Sensible
            Moving swiftly on…                                                                       After seats are taken and
              Organising The Night Of                                                              expensively secured views of the
            A Thousand Vampires (so named                                                          stage blocked by ornate hats and
            after it was decided to attempt                                                        hairdos, the Circus Of Horrors take
            to break the Guinness World                                                            to the stage for half an hour. Thirty
            Record for the most confirmed                                                          eye-boggling minutes during which
            vampires – or at least people                                                          one discovers there can be a lot
            dressed as vampires – extant in                                                        more to hoop-spinning than Grace
            a single location) turned out to                                                       Jones would have you believe, and
            be a mammoth task, and much of                                                         that limbo-dancing is apparently
            the responsibility fell on Vanian:                                                      still a thing.
            “Obviously, Halloween is my                                                               As topper-ed Monty ramps up
            favourite holiday, so I wanted to do                                                    the atmosphere with solo piano
            more than just a normal gig; a more                                                     piece Beauty Of The Beast, The      Monty Oxymoron
                                                                        Using his head: Damned
                                                                              veteran Paul Gray.
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