Page 22 - Classic Rock (January 2020)
P. 22

GRAND SLAM














              Thirty-odd years after former Thin Lizzy frontman Phil Lynott’s new band got on to the runway

               but never really got off the ground, a new line-up returns with a new album, and they’re flying.

                                                                             Words: Ken McIntyre


                        here are many lost futures in the ever-twisting history                     in the industry, that a record deal would be easy enough to
                        of rock’n’roll, and Grand Slam is perhaps one of the                        procure. But this was not the case.
                        most tantalizing. After the sudden and shocking                               “Unfortunately, in the UK there was a lot of press about Phil’s
                        dissolution of Thin Lizzy in 1983, Lizzy frontman and                       drug use,” says Acher. “They were running drug-related double-
           T hero to us all Phil Lynott rebounded with a new                                        page spreads in the newspapers about Phil’s drug use all the
            band full of friends old and new, including then-current Lizzy                          time. So the record labels were really concerned because of
            members Brian Downey and John Sykes, and Magnum                                         all this coverage in the mainstream press. We just couldn’t get
            keyboard player Mark Stanway. Grand Slam was a fresh start                              a deal made.”
            after a decidedly rough patch for Lynott, who was deep in a drug                          Worse still, Archer found that all these negative press reports
            haze that he desperately wanted to climb out of. Sykes famously                         weren’t exactly inaccurate. In 1984 Lynott was essentially
            left to join the revamped, hair-tousling version of                                              a phantom of his former self.
            Whitesnake, and an old acquaintance of Phil’s,                                                      “I went to the States and had started recording
            Stampede guitarist Laurence Archer, was brought in.       “The newspapers                        some stuff with Huey Lewis,” explains Archer. “I did it
              The band wrote new songs and played familiar                                                   under the premise that Phil was gonna come out and
            venues, but nothing much ever came of it. A few live          were running                       sing on it. But he couldn’t get to America because his
            tapes made the rounds in the tape-trading circuits,                                              visa had run out, and he wasn’t going to be getting
            a demo or two, but that was it. There was no album. Phil   double-page spreads                   another one because of the drug stuff. In the end
            did a couple of solo things and then, in 1986, he passed   about Phil’s drug                     he was able to find an old Irish passport and was
            away. And that was that. Until it wasn’t.                                                        somehow able to get through.
              In 2016, a reinstituted Grand Slam played the Sweden        use… We just                          “The tracks sounded great, but when Phil got there…
            Rock festival. Emboldened by the positive response,     couldn’t get a deal.”                    he just wasn’t in a good state. He was coughing a lot. He
            Archer decided to form a new, stable line-up, both to                                            wasn’t really well, and he just wasn’t performing very
            ensure the band’s legacy and to pave the way for a brave                                         well at all. When I listened back, I realised that we just
                                                                            Laurence Archer
            new future. Both are on display in their debut album, Hit                                        couldn’t release it as is. I didn’t bow out on Phil, but I did
            The Ground, which comprises five revitalised ’84-era Grand Slam                         tell management that I didn’t think it was a good idea to release
            songs and five brand-new tracks. Old and new mesh perfectly, and                        anything with Phil in this state. It just wouldn’t have come out well.”
            in a rare best-case scenario the album manages to sound classic
            and contemporary at the same time.                                                              eartbroken over the whole affair, Archer went on to
              As we speak, his band are in an undisclosed film studio,                                      record a solo album and then, eventually, left the music
            working on their new music video. It involves lion cages and                           Hbusiness for a few years. Meanwhile, several of Grand
            people jumping out of planes. “We’re going large on this one,” he                       Slam’s songs, including 19 and Military Man, were re-recorded and
            says with a laugh.                                                                      released as Lynott solo efforts, without any input from Archer.
              “I met Phil when I was in the band Wild Horses,” Archer recalls.                        “I was still a kid at the time, and very naïve about the industry,”
            “We had the same management. A few years later                                                      says Archer. One of his songs, Dedication, was even
            I was in a band called Stampede, and he asked me                                                    passed off as a ‘lost’ Lizzy track on their 1991 ‘best of’
            to come down to the studio to do some stuff with              GRAND SLAM                            compilation. I actually wrote Dedication for Stampede,
            him. He actually asked me to be in Lizzy,  but I was   38 Hit The Ground MARSHALL                   and they used it as this lost 1976-era Thin Lizzy track
              NWOBHM almost-weres Stampede were signed
            too into the stuff I was doing at the time. It seems                    After Thin Lizzy, Phil      for the music video,” he says incredulously. “I had no
            a little ridiculous now, but at the time it seemed like                 Lynott forged ahead         idea. A friend of mine called me up and said: ‘Your
            Lizzy was waning a little, so I stuck with what I was                   with Grand Slam,            song is on the radio.’ I said: ‘What song?’ So I turned
            doing. But yeah, we knew each other for some time                       forming fruitful            on the radio, and it’s Dedication. They lifted the vocals
            before Grand Slam.”                                                     songwriting                 from a session Phil and I did of it. It was the only time
                                                                                    partnerships with
                                                                                                                Thin Lizzy demo.”
            to Polydor Records, but managed to release just        Laurence Archer (UFO) and Mark Stanway       he ever sang that song. They disguised it as an old
            one EP, in 1982, before mismanagement cut them         (Magnum), but lack of label interest           In 2002, a collection of Grand Slam demos, The
            off at the ankles.                                     meant their music would only be              Studio Sessions, was released. Poorly recorded and
              “They didn’t have any A&R men in the company         preserved in demos and live tapes. Here,     shabbily presented, it did nothing to honour the
            at the time,” Archer sighs, “so we were just waiting   Archer and a fired-up new formation tear     band’s legacy. Archer had already lived a lifetime in
            around for something to happen. I had the option       into five vintage Slam tracks and five       rock’n’roll by then, having spent a few years in UFO
            to jump ship, so when Phil called me I did.”           vibrant new numbers offering a similar       and forming various other bands along the way
              Archer got to work on writing songs with Lynott.     combination of grit and melody. RD           before leaving music behind for a decade. But the
            They assumed, given the Lizzy frontman’s stature       Killer track: Hit The Ground.                demo release stuck in his craw.



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