Page 180 - (DK Eyewitness) Travel Guide - India
P. 180

178      CENTR AL  INDIA


        Decorative Elements of the Taj

        It is widely believed that the Taj Mahal was designed
        to represent an earthly replica of one of the houses of
        paradise. Its impeccable marble facing, embellished by a
        remarkable use of exquisite surface design, is a showcase
        for the refined aesthetic that reached its height during
        Shah Jahan’s reign. Described as “one of the most elegant
        and har monious buildings in the world”, the Taj indeed
        manifests the wealth and luxury of Mughal art as seen
        in architecture and garden design, painting, jewellery,   Detail of the marble screen with an
        calligraphy, textiles, carpet-weaving and furniture.  inlaid chrysanthemum
        Pietra Dura
        The Mughals were great naturalists
        and believed that flowers were the
        “symbols of the divine realm”. In the
        Taj, pietra dura has been extensively
        used to translate naturalistic forms into
        decorative patterns that complement
        the majesty of its architecture.


                                Flowers such as the
                                tulip, lily, iris, poppy
                                and narcissus were
                                depicted as sprays or
                                in arabesque patterns.
                                Stones of varying
                                degrees of colour
                                were used to create
                                the shaded effects.











                                          White marble, black slate and yellow, red and grey
        Marble inlay above the mosque’s central arch  sandstone used for decoration
          The Art of Pietra Dura
               The Florentine technique of pietra dura is said to
                  have been imported by Emperor Jahangir and
                    developed in Agra as pachikari. Minute slivers
                     of precious and semiprecious stones, such
                      as carnelian, lapis lazuli, turquoise and
                      malachite, were arranged in complex
                      stylized floral designs set into a marble
                      base. Even today, artisans in the old city
                      maintain pattern books with the fine motifs
          A contemporary marble   used on the Taj to recreate 17th-century
          inlaid platter  designs in contemporary pieces.  A single flower, often with more than
                                                35 variations of carnelian





   178-179_EW_India.indd   178                              26/04/17   11:44 am
     Eyewitness Travel   LAYERS PRINTED:
     Feature template    “UK” LAYER
     (SourceReport v1.3)
     Date 18th October 2012
     Size 125mm x 217mm
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