Page 142 - (DK) Advanced Photography Guide
P. 142

140        EXPLAINING | EXTERNAL FLASH


           FLASH                                             FLASH TECHNIQUES



           EFFECTS                                         FREEZING MOVEMENT
                                                           The brief burst of light given
                                                           off by flash makes it a good
           Adding an external flash—often referred         way to freeze movement.
                                                           Adjusting the power
           to as a strobe or speedlite—to your setup       changes the length of time
           opens a new world of creative possibilities.    that the flash is illuminated,
                                                           altering the amount of light
           External flashes come in a variety of sizes and   emitted. Use lower power
           specifications, but even the smallest of them   settings to freeze the fastest
           are more powerful than a camera’s built-in      movement, and increase
                                                           the ISO or use a larger
           flash. The key to buying an external flash is    aperture to compensate.
           to strike a balance between size, weight,
           specification, and cost. Top-of-the-line flashes
           are large and heavy, and can make a CSC         BOUNCE FLASH
           or small DSLR feel very unbalanced when         Angling a flash head to
           attached to the camera. Smaller flashes may     “bounce” the light off a
                                                           nearby surface softens
           be less powerful but can be just as effective    the light, creating a more
           once you have mastered how to use them.         pleasing effect. The surface
                                                           should be neutral in color
                                                           to avoid a tint. Bouncing the
                                                           flash increases the distance
            ADVANTAGES                                     between the subject and
                                                           the flash, so increase the
            ◾ ◾ High position on the camera reduces the risk of red-eye
                                                           flash exposure in Manual
            ◾ ◾ Tilt head makes techniques such as bounce flash possible  exposure flash.
            ◾ ◾ The flash can be fired off-camera for extra lighting options


            DISADVANTAGES
                                                           COLOR CONTROL
            ◾ ◾ Bulky and adds weight to a camera bag
                                                           Adding a gel to the flash
            ◾ ◾ Less convenient than a built-in flash      alters the color of the light.
            ◾ ◾ Requires extra sets of batteries           This is often done to make
                                                           the color temperature of the
                                                           flash light the same as that
             LIGHT AND SHADE                               of the ambient light. Gels
                                                           are also used to add
             Side lighting gives a photo a convincing sense of depth,    artificial color and create
             as one half of the scene is brightly lit while the other is in   particular lighting effects.
             shadow. It is this contrast between light and shade that   Adding a gel reduces the
             makes a photo look three-dimensional. Side lighting can,   flash exposure, so you will
             however, create too much contrast. This can be fixed by   need to increase the power.
             using a key light, or accessories such as reflectors.









   US_140-141_Exp_External_Flash.indd   140                                                          05/02/2018   14:36
   137   138   139   140   141   142   143   144   145   146   147