Page 190 - (DK) Advanced Photography Guide

188 IND E X

lighting equipment 24–25 front element 94, 110, 113, honeycomb grids 27 input sharpening 164
in low light 138–139 120 horizontal sensors 82 inspiration, finding 37
manual 146–147 frontal lighting 136, 137 “hot” pixels 63 intentional camera
manual exposure 144–145 full-frame cameras/lenses hot shoes 24, 25, 142, 143 movement (ICM) 62–63
master and slave 149 96–97, 98, 99 HSS see High Speed Sync inverse square law 135
multiple 150–151 Fully Automatic (Auto) 53 Hue slider 163, 168, 169 IPTC metadata 109, 178
power 135 hyperfocal distance 90–91, 110 ISO
range of 142, 144 Auto ISO 54, 70
slow sync 138–139 and exposure 50, 51
techniques 140 G and flash 134, 136, 144–145,
TTL cords 143 I 147, 152
wireless 148–149 gels, and flash 140, 152–153 and ICM 62
zoom 149 geo-tagging 156 ICM see intentional camera performance 16
Flash exposure compensation Gimp 172 movement
134, 136 glass, transparency 130 image circle 98
flash head 134 global correction 158 image contrast 79
flash power 134, 135 gloss paper 181 image enhancement 154–181 J
manual exposure flash golden hour 57 adjustments 157
144–145 Graduated filter (Lightroom) black-and-white photography Joint Photographic Expert
manually setting 146–147 158 166–167 Group see JPEG
flash recycling time 135, 145 graduated filters 123 blending photos 74, 75 JPEG
Flatten Image 175 colored 128 Brenizer and panoramic compression 30
floating elements 95 graduated ND filters 123, photos 170–171 continuous shooting 60
fluorescent lights 25, 153 126–127 changing tones 168–169 data capture 16
focal length 96–99 soft and hard 127 correcting subtle flaws importing and storing 156
long 38, 58, 96 Green channel 176 162–163 panoramic shots 64–65
focal plane 96 green filters 167 cross processing 176–177 sharpening 164
focus lock 81 gray cards 68, 126 digital asset management vs. Raw 30–31
focus peaking 87, 108 grids 178–179
focus point 56, 59, 85, 86, 116, cameras 36 dust removal 159
117, 143 light modifiers 27 editing software 158–159 K
focus ring 94, 108 groups of people 54–55 layer masks 174–175
focus stacking 56, 116–117 Guide Number (GN) 134 layers 172–173
focusing 76–91 lens correction 162–163 Kelvin (K) scale/value 44, 45,
in advance 88–89 lightening and darkening 46, 152, 157
autofocus 78–85 160–161 key light 140, 150
back-button 84–85 H postproduction software 156 keywords 109, 156, 179
extension tubes 114–115 printing 180–181 kit lenses 22
focus stacking 116–117 halo effect 164 sharpening 164–165
hyperfocal distance 90–91 hard drives, external 156 suggested workflow 156–157
infinity focus 66 Hardness slider 160 image file formats 30–31 L
manual 86–89 HDR see high dynamic range image format 35
focusing distance 112 Healing Brush 159 image management 178–179
folders 178, 179 Helicon Focus 117 image noise 51 landscape format 35
format, changing 101 high dynamic range (HDR) 72, image sensors 16 landscape photography
frame rate 18, 19, 21 73 image-stabilization systems Aperture Priority mode
frames High Speed Sync flash 25, 135, 28, 94, 113 56–57
exploiting natural 36–37 142–143 importing 156 autofocus modes 80
filling 38–39 high-key exposure 72 incandescent lights 25 balancing different amounts
framing 34 highlights 72, 73, 161, 176 incident metering 68 of light in 126–127
freezing movement 138, 140, burned-out 147 infinity focus 66, 109, 114 black-and-white 167
144 split toning 168–169 infrared filters 129 JPEG vs. Raw 31
fringing 95, 105, 163 histograms 146 ink, density of 180 sensor dust 159

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