Page 191 - (DK) Advanced Photography Guide
P. 191
IND E X 189
Lasso 175 landscape photography manual focus 86 N
layer clip 173 56–57 magnification
layer masks 172, 173, 174–175 and shade 140 and editing 164
layers 75, 117, 172–175 width of 149 extension tubes 115 naming system 179
flattening 170 see also filters; flash and focus 87 ND filters 52, 56, 62, 121,
layers palette 173 light meters 68–69 macro lenses 112 122–123, 124, 136
layout choices 170–171 light modifiers 26–27 manual exposure 146, 150 negatives, storing 178
LCD screens 15, 19, 20 light sources, two 150–151, manual exposure flash 134, neutral-density filters see ND
LED lighting 25 152–153 144–145, 146 filters
Leica lenses 107 light stands 148 manual flash 25, 144, 146–147 Nikon lenses 97, 98, 107
lens adapters 21 lightening 160–161 manual focus (MF) 78, 86–89, infinity focus 66
lens correction 95, 162–163 lighting 24–25 90, 104, 116, 124 No Flash mode 136
lens distance scales 66 fine-tuning exposure 54 Manual mode 52–53, 104, noise
lens elements 105 frontal 137 124, 126, 142, 146, 150 and flash 145
lenses 92–117 lighting ratios 150, 151 multiple flash 150 reduction options 63
adapted 108–109 Lightroom see Adobe panoramic sequences 64 Northern Hemisphere stars 66,
autofocus 78–83 Lightroom manual-focus lenses 107 67
calibrating 78, 81 line-of-sight 137, 148 masking 164–165
cleaning 23 lines master flashes 149
concert photography 70 bowed 163 matrix metering 69
extension tubes 114–115 converging verticals 110, 111 matte paper 181 O
features 94 diagonal 36 Media Type 180
focal length 96–99 distortion 95 memory cards 17 off-camera flash 141
focus stacking 116–117 to draw viewer in 36–37, 100, metadata 109, 162, 178 off-camera trigger 137
and ICM 62 101 metering modes 10, 69 Olympus lenses 107
lens correction 95, 162–163 Liquid Crystal Display see meters on-sensor phase detection 79
macro 112–113 LCD screens exposure 68–69, 134 opacity 176
manual-focus 107 live view 19, 78 spot meters 70–71 open-source software 158
optical problems 95 Live View magnification 87 midtones 68, 70, 72, 73 optical problems 95
panoramic sequences 64 local correction 158 Minolta lenses 107 optical viewfinders 18, 19, 21,
selective focus 58 locations, street photography mirror lenses 105, 107 87, 123
speciality 106–107 102 mirror lockup function 159 optical wireless flash 137, 148
standard 102–103 Lock Focus 104 mirrorless cameras 15, 20–21 optical zoom 104
star trails 66 long exposure moiré 164 orientation 18, 29, 36, 82, 157
street photography 102–103 noise 63 monochromatic colors 41, out-of-focus
technology 95 star trails 66 166, 167 bokeh 105
telephoto 104–105 low contrast, and AF 83 the moon, photographing 67 deliberate 165
tilt-shift 110–111 low dynamic range 72 motion blur 61 output sharpening 164
types of 22–23, 97 low light, and AF 83 movement overexposure 50
visible dust 159 low shutter speeds 28 action shots 60–61 overlapping shots 64–65
wide-angle 100–101 low-dispersion glass 95 and AF 83
working distance 113 low-key exposure 72 and Continuous autofocus
Library module 171 luster paper 181 85
life-size images 12 creating blur 120, 122, 123, P
light 124–125, 138, 139
balancing different amounts freezing 140, 144 paintings 37
of 126–127 M intentional camera pan-and-tilt tripod heads 29
color bias 44, 45 movement 62–63 panning 61, 62, 64–65, 104
exposure metering 68–69 macro lenses 23, 112–113 motion blur 61 panning bases 64
frontal 137 macro photography multi-area metering 69, 70 panoramic sequences
golden hour 57 autofocus modes 80, 81 multi-segment metering 69 aspect ratio 65
high levels of contrast 70 macro lenses 112–113 multiple exposure 74–75 stitched-together 64–65, 171
inverse square law 135 macro options 113 multiple flash 150–151 paper, type of 180, 181
US_186-191_Index.indd 189 05/02/2018 14:37

