Page 129 - Star Wars Insider (Special Edition 2020)
P. 129

THERE’S A COMMON MISCONCEPTION THAT THE VISUAL EFFECTS FOR THE PREQUEL TRILOGY

           WERE EXCLUSIVELY DIGITAL. WHILE IT’S TRUE THAT VIRTUALLY EVERY FRAME OF THOSE FILMS

           PASSED THROUGH A COMPUTER, THE MYTH PERSISTS AND ROBS THE BRILLIANT ARTISANS

           WHO WORKED ON THE PREQUELS OF THEIR DUE. BRYAN YOUNG TALKS TO THREE OF THE

           MODEL MAKERS AND ARTISTS BEHIND THE PRACTICAL EFFECTS OF THE PREQUEL TRILOGY

           TO DISCOVER JUST HOW OFTEN THEY BLEW OUR MINDS WITH THEIR STUNNING VISUALS.


                     teve Gawley worked as a model      Phantom Menace has 2,000, so that’s many     “I was told that we made more models in
                     builder on the original Star       times larger. On Episode I, we had five       the third film alone than the entire original


                     Wars trilogy, and his resumé       crews shooting miniatures at one time and    trilogy combined. They were mainly
                     beyond that reads as a who’s       we had 95 model makers.”                     building spaceships, and they could use
           Swho of all your favorite films:                 Don Bies is a name you might recognize    the same spaceships over and over again.

           Jurassic Park, Star Trek: The Wrath of Khan,   as one of those model makers. He worked    They only had to build four versions of the
           Who Framed Roger Rabbit, Back to the         in the model shop for the prequels, but      Millennium Falcon. The Death Star was a
           Future, and the Indiana Jones trilogy to     he was also the man in charge of R2-D2       very simple model. For the prequels, we
           name just some. When the prequels went       on those films and was tasked with            were building entire environments. We

           into production Gawley was a supervisor in   handling the Lucasfilm archives from          were building all of Theed City, the Mos

           the Industrial Light & Magic model shop.     1988 to 1996. The mockumentary R2-D2:        Espa arena, Tipoca City, and a lot of the
           Speaking about the difference in practical   Beneath the Dome was his brainchild.         Geonosis landscape and environments
           effects between the trilogies, he says,      He was on set for most of the prequels,      there. The podrace alone had a number
           “A New Hope had 350 effect shots, The        operating R2 and performing other tasks.     of models that were built; there was the











































































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