Page 124 - (DK Eyewitness) Travel Guide - Portugal
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FOUNDER’S COLLECTION

        Ranking alongside the Museu   to the Roman period (from
        de Arte Antiga (p92) as the   the 1st century BC). Out-
        finest museum in Lisbon, the   standing pieces in the
        Founder’s Collection exhibits,   Classical art section include a
        which span over 4,000 years   magnificent red figure Greek
        from ancient Egyptian figur-  vase and a Roman satyr’s
      EXPERIENCE  Beyond the Centre  played in spacious and well-lit   Armenian, Gulbenkian had    Rembrandt’s Portrait of an
        ines, through translucent
                            head from the 2nd century AD.
                              The museum’s Eastern art
        Islamic glassware, to Art
                            is also remarkable. Being
        Nouveau brooches, are dis-
        galleries, many overlooking
                            a keen interest in works from
                            the Near and Middle East,
        the gardens or courtyards.
        Although the museum is not
                            resulting in a fine collection
                            of Persian and Turkish carpets,
        large, each work of art is
                                                   Old Man (1645), a master­
                                                   class in light and shade
        worthy of attention.
                            textiles, costumes and cera-
                            mics in the Oriental Islamic
          In the Egyptian, Classical
        and Mesopotamian gallery
        priceless treasures chart the
                            pieces, there is a large collec-
                                                filled with the flam boyant
        evolution of Egyptian art from  tion of Chinese porcelain
                                                Art Nouveau creations of
                            acquired by Gulbenkian
        the Old Kingdom (c 2700 BC)   gallery. In terms of Far Eastern   museum ends with a room
                            between 1907 and 1947. One   French jeweller René Lalique
                            of the rarest pieces a small   (1860–1945). Gulbenkian
                            blue-glazed bowl from the   was a close friend of Lalique’s
                             Yuan Dynasty (1271–1368).  and acquired many of the
                              The carefully plotted   pieces on display directly
                               route around the   from the artist. Inlaid with
                                                semiprecious stones and
                                                covered with enamel or gold
                                                leaf, the ornate collection
                                Porcelain vases on   constitutes a spectacular
                                display within the   finish to this unique and
                                Founder’s Collection  incredibly diverse museum.














          Visitor wandering
          the galleries of the
         Founder’s Collection
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