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MELODIOUS ECHOES                                                         contribution

                        By  RAJI


                                                                         by the unsung genius, Jaidev.
                                                                         The song has been picturized
                                                                         on the evergreen hero of
                                                                         Bollywood, Dev Anand and
                                                                         the charming innocent faced
                                                                         Sadhana. One can tell that Rafi
                                                                         delivered this song with Dev
                                                                         Anand in his mind. Being the
                                                                         trained musician that he was,
                                                                         he never leaves a single note
                                                                         incomplete.  The diction,  the
                                                                         softness of his voice almost like
                                                                         it is being whispered all work
                                                                         towards expressing a longing
                                                                         still in the heart of the lover!
    “Can’t you stay for some more time dear?!”                           Rafi focusses on complete
    asks the boy. “Not any longer dear”, says the        bhava (expression) and the tiny harkats( vocal
    girl.  “Don’t go now, my heart yearns more for       gymnastics ) could be missed by most listeners,
    you”, says the boy longingly gazing at the large     but not a singer of course! In contrast Asha
    limpid eyes covering most of her soft  pretty        stuns you with the harkats. When I hear her,
    face. When you add music and poetry to this          her harkats come to the forefront and her
    conversation it takes you to a different world.      expression of the song is very different than
    Don’t you all think so?                              Rafi’s. His is introverted, sublime like a poet’s.
    Duets in Indian films have occupied a pivotal        Asha’s is extroverted almost like a dancer’s!
    role in taking a story forward. From the             Duets are dialogues between 2 characters. So,
    beginning of a budding romance to ultimately         the approach of the  singers towards a duet
    getting together in marriage can be covered in       should be like that of a pair of dancers sharing
    a song and much more effectively by a romantic       the same arena or a pair that is playing in a
    duet. The conversation mentioned above does          sports team. Individual excellence is essential,
    behoove a great romantic song. The song that         but even more important is establishing a
    comes to my mind                                                               communication
    is of course the best                                                          between each other.
    one ever, “Abhi na                                                             Take     the    above
    jao chod kar” from                                                             song, for example.
    the movie Hum Dono.                                                            If this was a spoken
    Sung  in  the honey-                                                           dialog between the
    soaked     voices     of                                                       2 characters, it could
    Mohammed  Rafi and                                                             have probably ended
    Asha Bhosle, the lyrics                                                        in   an    argument.
    are penned by  the                                                             When music  comes
    incomparable      Sahir                                                        in, so does poetry.
    Ludhyanvi  and music
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