Page 64 - 2022-08-01 Sound & Vision
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test report
TRINNOV AMPLITUDE16 16-CHANNEL POWER AMPLIFIER
sequence of Netflix’s The Adam thunderous roar of the Batmobile
POWER OUTPUT: 200 wa s (8 ohms), 400 wa s
Project. While I generally find enveloped the room. I’ve watched
(4 ohms), 800 wa s bridged (8 ohms), 1,000 wa s
the audio on streaming services this scene nearly a dozen times Specs bridged (4 ohms), one channel driven (1kHz, <0.1%
to be lacking, this Dolby Atmos and the Trinnov with its ICEpower
THD+N); 2,800 wa s total output, all channels
soundtrack seems to be the modules did not disappoint,
driven
exception. The film starts with handling the mayhem as well as my
AUDIO INPUTS: DB-25/Tascam analog pinout (2)
Adam Reed (Ryan Reynolds) reference ATI amplifiers.
AUDIO OUTPUTS: Multiway binding posts (16 pair)
fleeing Earth in his spaceship Concert Blu-rays were every bit
ADDITIONAL: 12v trigger in/out; dual power inlets; audio-over-IP
to The Spencer Davis Group’s as impressive. John Williams Live
input option
“Gimme Some Lovin.’” The in Vienna showcases the work of
DIMENSIONS (WxHxD, inches): 19 x 5.2 x 17.8 (including rack ears)
action-packed scene put every one of the most accomplished
WEIGHT (pounds): 45.3
speaker in the room to work, music composers of our time, and
including my four subwoofers. (The hearing the Vienna Philharmonic
Altitude16’s sub output feeds a with world-class violinist Anne-
Dirac miniDSP 2x4 HD processor Sophie Mu er playing iconic theme
that treats the subs as one, hence songs from Star Wars, Harry Po er,
the 7.1.4 designation.) Though the Jurassic Park, and Indiana Jones in
Amplitude16 ran hot, its ICEpower Atmos was quite a treat. With my
modules handled the sequence eyes closed, it was as if I had been
with ease: the overhead speakers transported to one of the finest
came alive as the spaceship concert halls in the world.
zoomed through the screen. My “being there” experience
Reynolds’ sarcastic dialogue continued with a sampling of
was clear and fully intact and the FLAC music files as the amp drove
backing music was appropriately my speakers to reference levels
powerful and dynamic. without ever sounding harsh or
Next up, The Batman on UHD fatiguing. Female voices and
Blu-ray. This latest incarnation of string instruments, in particular,
the caped crusader’s adventures sounded natural and clean, leaving
has an exception Atmos me with no reservations about the
soundtrack. The freeway chase Amplitude16’s ability to convey the
scene (Chapter 9) with its discrete power and nuance of music.
effects, wide dynamic range, and
copious amounts of deep-digging CONCLUSION a tribute to Trinnov’s engineering Amplitude16 power amplifier is
bass sounded spectacular and prowess but there is a trade-off a solid performer that deserves
proved that the Amplitude 16 Traditionalists may scoff at class-D in the abundance of heat that serious consideration.
was more than up to the task of amplifier technology, but I’ve needs to be dissipated from its
powering my home theater. Rainfall been a fan of the design for nearly cramped enclosure. Still, the
was authentic and the crack of 15 years and have found well- amplifier performed up to my high The Verdict
gunshots was crisp and real as the engineered class-D amplifiers to expectations and never once
equal, and sometimes surpass, the shut down or faltered during my Trinnov’s Amplitude16 packs 16
performance of the best class-AB many listening tests. If you’re in channels of serious power in a stan-
Trinnov calls the Amplitude16 amplifiers on the market. Such is the market for up to 16 channels dard size component and brings
power amp a “perfect compan- the case with the Amplitude16. Its of amplification and are a li le music and movie soundtracks to life
ion” for its Altitude16 processor. unique 16-channel architecture is tight on rack space, Trinnov's in a thrilling way.
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64 August September 2022 soundandvision.com

