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test report



            TRINNOV AMPLITUDE16 16-CHANNEL POWER AMPLIFIER


           sequence of Netflix’s The Adam       thunderous roar of the Batmobile
                                                                                                     POWER OUTPUT: 200 wa s (8 ohms), 400 wa s
           Project. While I generally find      enveloped the room. I’ve watched
                                                                                                     (4 ohms), 800 wa s bridged (8 ohms), 1,000 wa s
           the audio on streaming services     this scene nearly a dozen times        Specs          bridged (4 ohms), one channel driven (1kHz, <0.1%
           to be lacking, this Dolby Atmos     and the Trinnov with its ICEpower
                                                                                                     THD+N); 2,800 wa s total output, all channels
           soundtrack seems to be the          modules did not disappoint,
                                                                                                     driven
           exception. The film starts with      handling the mayhem as well as my
                                                                                                     AUDIO INPUTS: DB-25/Tascam analog pinout (2)
           Adam Reed (Ryan Reynolds)           reference ATI amplifiers.
                                                                                     AUDIO OUTPUTS: Multiway binding posts (16 pair)
           fleeing Earth in his spaceship         Concert Blu-rays were every bit
                                                                                     ADDITIONAL: 12v trigger in/out; dual power inlets; audio-over-IP
           to The Spencer Davis Group’s        as impressive. John Williams Live
                                                                                     input option
           “Gimme Some Lovin.’” The            in Vienna showcases the work of
                                                                                     DIMENSIONS (WxHxD, inches): 19 x 5.2 x 17.8 (including rack ears)
           action-packed scene put every       one of the most accomplished
                                                                                     WEIGHT (pounds): 45.3
           speaker in the room to work,        music composers of our time, and
           including my four subwoofers. (The   hearing the Vienna Philharmonic
           Altitude16’s sub output feeds a     with world-class violinist Anne-
           Dirac miniDSP 2x4 HD processor      Sophie Mu er playing iconic theme
           that treats the subs as one, hence   songs from Star Wars, Harry Po er,
           the 7.1.4 designation.) Though the   Jurassic Park, and Indiana Jones in
           Amplitude16 ran hot, its ICEpower   Atmos was quite a treat. With my
           modules handled the sequence        eyes closed, it was as if I had been
           with ease: the overhead speakers    transported to one of the finest
           came alive as the spaceship         concert halls in the world.
           zoomed through the screen.            My “being there” experience
           Reynolds’ sarcastic dialogue        continued with a sampling of
           was clear and fully intact and the   FLAC music files as the amp drove
           backing music was appropriately     my speakers to reference levels
           powerful and dynamic.               without ever sounding harsh or
             Next up, The Batman on UHD        fatiguing. Female voices and
           Blu-ray. This latest incarnation of   string instruments, in particular,
           the caped crusader’s adventures     sounded natural and clean, leaving
           has an exception Atmos              me with no reservations about the
           soundtrack. The freeway chase       Amplitude16’s ability to convey the
           scene (Chapter 9) with its discrete   power and nuance of music.
           effects, wide dynamic range, and
           copious amounts of deep-digging      CONCLUSION                         a tribute to Trinnov’s engineering   Amplitude16 power amplifier is
           bass sounded spectacular and                                            prowess but there is a trade-off    a solid performer that deserves
           proved that the Amplitude 16        Traditionalists may scoff at class-D   in the abundance of heat that    serious consideration.
           was more than up to the task of     amplifier technology, but I’ve       needs to be dissipated from its
           powering my home theater. Rainfall   been a fan of the design for nearly   cramped enclosure. Still, the
           was authentic and the crack of      15 years and have found well-       amplifier performed up to my high     The Verdict
           gunshots was crisp and real as the   engineered class-D amplifiers to    expectations and never once
                                               equal, and sometimes surpass, the   shut down or faltered during my    Trinnov’s Amplitude16 packs 16
                                               performance of the best class-AB    many listening tests. If you’re in   channels of serious power in a stan-
           Trinnov calls the Amplitude16       amplifiers on the market. Such is    the market for up to 16 channels   dard size component and brings
           power amp a “perfect compan-        the case with the Amplitude16. Its   of amplification and are a li le   music and movie soundtracks to life
           ion” for its Altitude16 processor.  unique 16-channel architecture is   tight on rack space, Trinnov's     in a thrilling way.





























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