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           THE BATMAN                                                                                  or social media comments on the sides, meanwhile,

                                                                                                       remain sufficiently clear. At times the style is almost
                                                                                                       Hitchcockian in the way it uses the point of view of
                                                                                                       disturbed individuals and manipulates focus in the
                                                                                                       foreground and background. Sunlight is limited, with
                                                                                                       much of the movie taking place at night and indoors,
                                                                                                       and even daytime exteriors are o en rainy. Thankfully,
                                                                                                       the shadows are full of appreciable detail, while the
                                                                                                       darkness is pierced by headlights, streetlights, flash-
                                                                                                       lights, and fire—all dramatically bright in Dolby Vision.
                                                                                                          The Dolby Atmos mix is enveloping from the
                                                                                                       opening moments and you can almost feel the
                                                                                                       Riddler’s conspicuous breathing on the back of your
                                                                                                       neck as he studies his prey. Later, when Selina radios
                                                                                                       Batman, her voice is dispersed around the room
                                                                                                       instead of being localized in one spot (Bat’s radio)—
                                                                                                       an interesting but weird surround effect. Frequent
                                                                                                       rainfall keeps your speakers active, creating a sense
                                                                                                       of envelopment during outside scenes, though rain
                                                                                                       is also heard indoors as a pa ering from above. The
                                                                                                       soundtrack really comes alive through the thumping,
                                                                                                       all-encompassing dance beats in a packed nightclub
                                                                                                       and beefy rumble of the rocket-assisted Batmobile,
                                                                                                       which is enough to make bad guys scurry, not to
                                                                                                       mention the mighty explosions that rock the city. This
                                                                                                       is an aggressive track that, unlike Batman, never pulls
                                                                                                       its punches.
                                                                                                          There are no extras on either the 4K or HD movie
           Batman movies keep evolving, changing and—surprisingly—ge ing be er with each reboot, in    discs, but a separate Blu-ray bonus pla er contains
           one way or another. Director Tim Burton’s Batman relied heavily upon its extreme art deco design   two deleted scenes, the longer famously featuring
           to sweep away the goofiness of the Adam West TV incarnation, before that film series quickly   the Joker, a.k.a. “Unseen Arkham Prisoner,” both with
           descended into its own absurdity. Christopher Nolan’s Dark Knight Trilogy was the cure, finding   optional director commentary (but none for the movie
           ways to make believable the exploits of a vigilante dressed as a                            itself…?) There are also nine feature es, which dissect
           flying mouse fighting a clown and a scarecrow, owing in large                                 the production in topic-specific fashion (start with my
           part to inspired casting choices. Although he never headlined                               favorite, “Anatomy of the Car Chase”), and an almost
           his own solo movie, Ben Affleck’s Caped Crusader was a                                        hour-long documentary, Vengeance in the Making,
           highpoint of his recent DC Extended Universe team outings, but                              is particularly illuminating on the scripting process.
           now Robert Pa inson has donned the cowl and armor for a more                                The scannable Movies Anywhere code unlocks a 4K
           expressive, heart-on-his-cape take on the hometown hero. He’s                               digital copy along with all of the supplements and an
           a deeply damaged man devoting his life and routinely risking it                             additional behind-the-scenes clip.
           on a lonely quest to protect his beloved Gotham City, and what a                               The Batman on 4K Ultra HD Blu-ray is an easy
           city it is. Gotham is practically its own character, a fully realized                       recommendation, an extremely enjoyable entry in
           world teeming with unabashed criminals and a citizenry in dire                              the Caped Crusader’s long and varied canon, and a
           need of saving.                                                                             demo-worthy disc to boot. O CHRIS CHIARELLA
             Director/co-writer Ma  Reeves pays homage to a lot of other
           movies here, perhaps none more so than David Fincher’s Se7en.
                                                                           ULTRA HD BLU-RAY
           Similar to his Oscar-winning approach to Dune, director of photog-  STUDIO: Warner, 2022
           raphy Greig Fraser shot the The Batman digitally and transferred it   ASPECT RATIO: 2.39:1
           to film, before switching back to digital to create the final master.   HDR FORMAT: Dolby Vision, HDR10
                                                                          AUDIO FORMAT: Dolby Atmos with
           The original capture was in pristine 4K or above, and in this case a
                                                                          TrueHD 7.1 core
           35mm interpositive was created, accentuating the golden/orange   LENGTH: 176 mins.
           hues and adding a layer of grain to further evoke the mood of   DIRECTOR: Matt Reeves
           crime thrillers past and to be er immerse us in the carefully cra ed   STARRING: Robert Pattinson,
                                                                          Zoë Kravitz, Jeffrey Wright,
           environment. That grain structure is definitely visible, but subtly so,
                                                                          Paul Dano, Colin Farrell, Andy Serkis
           imparting subconscious grit.
             Custom anamorphic lenses yield striking sharpness in the
           center of the 2.39:1 frame, falling off at the edges, to really draw                        Warner
           your eye where they want you to look. Occasional text overlays

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           66       August September 2022      soundandvision.com
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