Page 250 - Hamlet: The Cambridge Dover Wilson Shakespeare
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I.I.                NOTES                     143

                evidence of what the reporter saw taking place on the
                Globe stage. For a comparative table of S.D.S in Q2
                and F i v. MSH. pp. 353-69.


                                       1. 1.
                  S.D. A narrow platform etc. For 'platform' (first
                read by Theobald) cf. 1. 2. 213 'the platform where we
                watch,' and 1.2.252' Upon the platform.' Its technical
                meaning in Sh.'s day was a raised level place or an open
                walk on the top of a building, for the emplacement of
                guns (v. N.E.D. 'platform' 6). Sh. probably imagined
                it as situated on the battlements of the castle, at once a
                look-out for guards and a commanding position for
                cannon. Theatrically, I take it, the word denotes the
                upper-stage, which would explain the unmotived dis-
                appearance of Bar. in 1. 4., when his place is taken by
                Ham.; seeing that four characters besides the Ghost
                would have overcrowded the gallery, which for the rest,
                with its curtained recess in the middle, would be very
                convenient for the apparition. (For a different view, by
                Chambers, v. head-note 1. 5.)
                  Francisco, a sentinel armed etc. Prob. the 'sentinels'
                all carried partisans (v. G.) like the Wardens of the
                Tower, whom Sh. seems to have in mind. As royal
                guards, too, they would rank as officers and gentlemen
                (a title Hor. expressly gives to Mar. and Bar. at I. 2.
                194), though Mar. seems to have been of higher military
                rank than Bar. (v. note 1.2.167). Perhaps Sh. intended
                him as captain of the guard and the others as lieutenants.
                Cf. Sh.Eng.i. 138.
                   I. Who's there? The question and the dialogue that
                follows emphasise the darkness of the night and the
                jumpiness of the guards. It was for Fran., on guard, to
                give the challenge.
                  3. Long live the king! The watchword is dramatically
                ironical in view of all that follows.
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