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144                 N O T E S                 I.I.

                  8.  bitter  cold  Sh.  builds  up  the  atmosphere  of  the
                frosty,  star-lit,  northern  night  as he  proceeds;  cf.  i.  i.
                36-8  'yon  same star..  .burns?
                  9.  sick at heart  The  solitary figure of Fran, with his
                heart-sickness  foreshadows  Ham.
                   13.  bid them make haste  Bar. is anxious not to be left
                alone.
                   19.  A  piece of  Mm.  Hor.'s  jocularity  is  contrasted
                with  the  nervousness  of the  others; he  does not  believe
                in  ghosts. The  jest  means,  I  take it,  that  he  is  pinched
                with the  cold.
                   21.  What,  has...  to-night ? (Q2)  F1, Q1,  and  most
                mod. edd.  assign to  Mar.  Cf. MSH. p.  37. The  con-
                temptuous  word  'thing'  clearly comes from the sceptic,
                and Mar.'s speech beginning 'Horatio says' seems more
                natural, if Hor. has just  spoken.
                   23.  Horatio..  .fantasy  Hor., philosopher and student,
                may  be  classed  as  one  of  the  school  of  Reginald  Scot.
                When   he  sees  the  Ghost,  of  course,  his  attitude
                changes.  Cf.  Lavater, p. xvii, and Introd. pp. 1-liii.
                   29.  He may..  .speak to it.  Cf.  note  1.  1. 42.
                   33.  two nights  Cf.  1. 2. 196. The  play opens on the
                eve of the coronation and  marriage of Claudius; and the
                Ghost  begins  to  walk  three  days  before  the  ceremony.
                Cf.  1. 2. head-note.
                   Well,  sit  we down  Hor.  is  bored.
                   39.  S.D.  cladin  armour..  .truncheon Cf.  1.2.  200-
                204,  and  notes. That  the  Ghost  appears  'in  arms'  is
                clearly of great significance to all who speak of it;  cf. also
                11. 47-9,  60-3  below,  1.  2.  200-204,  226-30,  255,
                and  1. 4.  52.  It  gives Ham.  the  clue to the  apparition
                before  he sees it; and  makes him suspect 'foul  play'  and
                the  need  for  vengeance (1. 2.  255).  That  the  armour
                was also dramatically extraordinarily effective, we cannot
                doubt;  Sh. replaced the stock stage-spook from  Tartarus
                clad  in  a leather  pilch  by a  Christian  spirit 'in  his habit
                as  he  lived.'  Cf.  F. W.  Moorman,  The  Pre-Shake-
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