Page 322 - Hamlet: The Cambridge Dover Wilson Shakespeare
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3.4.                NOTES                      3i?

                Agamemnon's  ghost as evidence  of her  guilt, the notion
                seems  to  have  been  a  common  one  at  the  period.
                I  suggest that the  'piteous action' Ham.  speaks of is one
                of  hands  outstretched  in  supplication  to  Gertrude  and
                that  the  Ghost's  agitation  conveys, first his  amazement
                that she  cannot  see or  hear  him, and then  his horror  as
                he  realises the  cause.  It  is  only  after  she  has  declared
                herself  completely  insensible  of  his  presence  that  he
                'steals away'  in shame.
                   145.  unction  v.  G.
                   152-53.  Forgive me this my virtue..  .times  i.e. For-
                give the sermon; this degenerate age is so morally flabby
                that  etc.  Both 'fatness'  and  'pursy'  =  out  of  condition
                physically,  v.  G.
                   155.  curb and woo  'bend  and  truckle'(Johnson).
                   161-65.  That  monster... •put on  Fi  omits.  MSH.
                pp. 28-9,  167.
                   162.  Of habits evil (Theobald aft. Thirlby)  £>2'Of
                habits  deuill.'  The  misprint would  be  easy (v.  MSH.
                pp. 320—1), especially as the compositor, like all edd. since
                Johnson, may have been misled  by a supposed antithesis
                between 'devil' and 'angel,'whereas  Sh.intends, I think,
                to contrast 'monster' with 'angel' and  'habits evil' with
                'actions fair  and  good.'
                   164.  frock  or livery  Two  sorts  of uniform:  'frock'
                of a monk, suggesting religion, and 'livery'  of a servant,
                suggesting duty. The image springs from' assume' (v. G.)
                and  'habits'  (in a  quibbling  sense) just  before.
                   167-70.  the  next...potency  F i  omits.  MSH.
                pp. 28-9,  167.
                   169.  And  either..  .the  devil  Q2  'And  either  the
                deuill.'  The  compositor  has prob. as so often  elsewhere
                omitted  a  word.  It  is  conceivable,  on the  other  hand,
                that  'either'  (sp.  'eyther')  may  be  a  misprint  or  mis-
                correction  of  'exorcise,' a word  which  suits the  context
                and must come near Sh.'s meaning.  For want of a better,
                itmay serve to fill the gap in the text.  MSH. pp. 302-3.
                    Q.H.-I8
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