Page 81 - Hamlet: The Cambridge Dover Wilson Shakespeare
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kxiv               H A M L E T

                notmuch 'reformed.'  Butitwas considerably shortened.
                Valtemand,  Cornelius  and  Reynaldo  are  clean  gone.
                Fortinbras only comes in at the very end, and his Captain
                                                    '
                is not  seen. The longer speeches (except To  be  or  not
                to  be')  are  severely  cut—even  most  of  Hamlet's  first
                address  to  the  Ghost.  Polonius's  advice  to  Laertes  is
                gone,  partly,  perhaps,  because  Polonius  was  (or  soon
                came to be) played as a wholly comic character; and the
                advice to the  players  is  also  all  cut  out.  On  the  other
                hand,  the  Dumb  Show,  and  the  scene  of  the  King's
                prayer  and  Hamlet's  speech  in  sparing  his  life  are  re-
                tained very nearly complete.  Much, therefore,  of what
                the study has considered the true poetic and  philosophic
                worth  of the  play  was  omitted;  but  the  contentions  of
                Mr  Alfred  Hart about the cutting of plays for  perform-
                ance  in  the  Elizabethan  playhouse  (Review  of  English
                Studies, Vol. vin, Nos. 30, 32; Vol. x, No.  37) suggest
                the  possibility  that  the  Restoration  versions  of  Hamlet
                may preserve in this matter the tradition  of the  original
                performances,  and  that  in  both  instances  the  robust
                action, rather than the profound thought of the poet, was
                what the theatre  aimed  at  representing.  To  D'Avenant
                only, and not to his predecessors in deletion, it is safe to
                ascribe  the  many  tiresome  little  verbal  alterations  and
                excisions  made,  after  his  usual  manner,  in the  cause  of
                decency,  clearness or  'politeness.'
                   Cibber  has  left  a vivacious account  of the 'rude  and
                riotous  havock'  at Drury  Lane  after  the  secession  of
                Betterton  and  other  good  players  from  the united  com-
                panies in  1695. 'Shakespeare  was defaced  and tortured
                in  every  signal  character.—Hamlet  and Othello  lost in
                one hour  all their  good  sense, their  dignity, and  fame.'
                 It was probably about  that time that Wilks took up  the
                acting  of Hamlet,  and  almost  certainly  Wilks at whom
                Cibber  was hitting in  his  reference  to a  Hamlet,  'who,
                on the first appearance of his Father's Spirit, has thrown
                himself  into  all  the  straining  vociferation  requisite  to
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