Page 82 - Hamlet: The Cambridge Dover Wilson Shakespeare
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S T A G E - H I S T O R Y       kxv

                express rage and fury, and the house has thundered  with
                applause, though the  misguided actor  was all the while
                (as  Shakespeare  terms  it)  tearing  a  passion  into  rags.'
                Aaron Hill in  The Prompter for  October 24,1735, said
                very  much the  same. Wilks rushed  at the  Ghost  much
                too  soon,  with  precipitate  clamour,  'hurrying  on  the
                whole  [scene with]  Smartness and Alacrity.'  He threat-
                ened  the  Ghost, and  turned  his  sword  against  it,  not
                against those who  were trying to hold him  back (it was
                not by such means that Betterton's Hamlet had  frightened
                Booth's Ghost). In the scene with Ophelia he was too light
                and airy all through, with no sign of sadness even when
                she was not  observing  him.  On the  other  hand,  in  the
                Play-scene  he  showed  an  'unforced,  soft,  becoming
                Negligence.'  Thomas  Davies  differed  from  Hill  on
                certain  points.  He  thought  that  Wilks  acted the  scene
                with  Ophelia  like  a  lover  and  a  gentleman, and  the
                Closet-scene  with  warm  indignation,  tempered  with
                the  most  affecting  tenderness;  and,  while  regretting
                Wilks's  restlessness, he commended the  pleasing  melan-
                choly of  countenance  and  grave despondency  of action
                with which he spoke the  'To  be or not to be'  soliloquy.
                To  Wilks's  credit  it  must  be added that  (as  Professor
                Odell has discovered) he restored to the stage the  advice
                to the  players;  and  his  acting  cannot  fail  to have  had
                some  share  in  the  steady  popularity  of  the  tragedy.
                In  January,  1708, when  the  once  more  united  com-
                panies  appeared  at  Drury  Lane,  Hamlet,  with  Wilks
                as the  Prince, was the  opening  play.  On that  occasion
                Booth  played  the  Ghost;,  Mills,  Horatio;  Powell,
                Laertes;. Johnson,  Polonius;  Cibber,  Osric;  Estcourt,
                the  First  Gravedigger;  Mrs  Knight,  the  Queen;  and
                Mrs  Mountfort,  Ophelia.  During  the  rule  of  Cibber
                and  his  partners  at  Drury  Lane,  1710-33,  Hamlet
                was  given  every  year  except two;  and. Wilks  went  on
                playing the Prince as late as February,  1732, the  month
                in which  he died.  In the earlier part of that period the
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