Page 85 - Hamlet: The Cambridge Dover Wilson Shakespeare
P. 85

Ixxviii            H A M L E T

                impressed by Garrick's acting in 177 5, from some papers
                signed 'Hie  et Ubique' in  the Si  James's  Chronicle in
                February and March, 1772, from  Fielding's Tom Jones
                and from other sources it is possible to put together some
                notion of Garrick's production and acting oi Hamlet. He
                did away with the full-bottomed  wigs and the plumes of
                tragedy.  He  himself wore  black  (the only character  in
                the  play seen in  mourning)  with a  cloak and  hat,  knee
                breeches,  and  shoes  which  increased  his  height.  The
                Ghost wore armour with steel-blue satin underneath it,
                and  showed  nothing  of  his face  except the  nose and  a
                little  of  the  cheek  on  either  side  of  it.  Horatio  and
                Marcellus wore some sort of military dress.  Ophelia had
                long, fair  hair,  and in her  mad  scene  carried  a  neatly
                arranged  handful  of  straw.  In  the  version  which  he
                presented  during  most  of  his  career  Garrick  kept  the
                                                             '
                advice to the players, spoke more of the  soliloquy, O,
                what a rogue and peasant slave am I!'  than others  had,
                and  cut  out  the  soliloquy  during  the  King's  prayer,
                either altogether or at least from  'Up, sword' to the last
                line and  a  half.  It  appears  also that  he  took  from  the
                Ghost  and  gave to  Hamlet  the  line  'O,  horrible!  O,
                horrible! most horrible!' and this soon established itself
                as a 'stage tradition.' The impression conveyed by Field-
                ing that the Closet-scene came before the Play-scene must
                be due to inadvertence; but it may be accepted that the
                Ghost appeared in that scene in a flash of fire and dis-
                appeared  down  a trap.  It  was  in  that  scene  also  that
                Garrick  used  a  trick  chair  which  would  fall  over  (as
                tradition demanded) very easily when Hamlet sprang up
                on seeing the Ghost. When he spoke the lines,' For some
                must watch,'  he  invariably  walked  about,  vehemently
                twirling a white handkerchief.  Macready borrowed this
                action from  him, and it was that which  Edwin  Forrest
                hissed at the Theatre  Royal, Edinburgh, in  1846, thus
                preparing  the  way  for  the  fatal  riot  in New  York  in
                 1849.
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