Page 88 - Hamlet: The Cambridge Dover Wilson Shakespeare
P. 88

S T A G E - H I S T O R Y       kxxi

                accused, again, of  overacting in the  soliloquy,  'O, what
                a rogue and peasant slave am I!'  but Davies thought him
                unmatched  in it.  'His  self-expostulations, and  upbraid-
                ings  of  cowardice  and  pusillanimity,  were  strongly
                pointed,  and  blended  with  marks  of  contemptuous  in-
                dignation; the description  of his uncle held up, at once,
                a  portrait  of  horror  and  derision.  When  he  closed  his
                strong paintings with the  epithet, kindless villain! a tear
                of  anguish  gave  a  most  pathetic  softness  to  the  whole
                passionate  ebullition.'  The  advice  to  the  players  he
                spoke  well,  but  more  like  a  stage-manager  than  a
                Prince.
                  Garrick's  best  Ophelia  was  Mrs  Cibber.  As  she
                warmed to the part, she dropped her 'chanting' mode of
                speech, and she preserved favour  and prettiness through
                all her  grief and terror.  Mrs  Smith (whom  Lichtenberg
                saw and admired) was also very pathetic in the part, and
                sang the  songs  beautifully  (as, no  doubt,  did  Susannah
                Cibber  also).  Mrs  Clive was not so good, nor was  Mrs
                Abington.  Of  the  Queens  none  could  touch  Mrs
                Pritchard, who, indeed, was the  only  great actress of the
                time with the  sense to  see the worth  of the part and the
                industry  to  study  it;  She  had  a  way,  at'Do  you see
                nothing there?'  of turning  her  head  slowly with a glare
                in  her  eye  that  made  her  audience  tremble. The  best
                Polonius  was  Baddeley,  who  played  the  part,  like  the
                others, as low comedy, but  was not  'nauseously  ridicu-
                lous.'  Garrick's  attempt  to  rescue  Polonius  from  de-
                gradation failed.  He  persuaded Woodward to dress the
                part richly and to act it seriously; but Woodward  made
                little  of it and the audience nothing.  Packer had  decent
                merit  as Horatio,  but the  part  was  always  'kept  down'
                so as not to get in the way of Hamlet.  Of Kings (another
                part  despised  by the  players  of the time)  Jefferson  took
                the  palm,  and  after  him  Sparks  (was it he  whom  Part-
                ridge  in  Tom Jones thought the  best player  in  the  cast
                 because 'he  speaks all his words  distinctly,  half  as loud
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