Page 330 - King Lear: The Cambridge Dover Wilson Shakespeare
P. 330

4.6.                NOTES                      255

                is the letter finishing 'and you own Goneril for venture*
                (J.D.W.).
                  268.  O...zoill!  'O  woman's  lust,  how  limitless  is
                thy  range!'(K.).
                  269.  upon=against.  Cf.  G.  'on'.
                  270-2.  Here...lechers•=I'il shovel  thee  into  an  un-
                sanctified  grave here in the sands, messenger of lecherous
                murderers.  Perh.  'unsanctified'=unsanctifiable.  Edg.
                speaks  as  if  they  were  actually  on  Dover  beach.  The
                'sands'  were  convenient  to  the  context  and  Sh.  prob.
                felt  he might  risk  the  inconsistency.  But  how  was  the
                body disposed  of on the stage?  Does Edg. drag it  'off'
                at 1. 27 5, leaving Glo. talking, and then return at 1.2 81 ?
                  271.  tkou.post  (Furn.  conj.)  F  'the  poste'.
                  272.  mature  Accented  'mature'.
                  273.  strike  see  G.  274.  death-practised see G.
                  277.  ingenious feeling  acute consciousness;  see  G.
                'ingenious'.    281.  S.D.  (F).
                  283.  S.D.  F  'Exeunt.'.


                                       4-7

                  S.D.  Zor. (Steev. after Cap.)  Entry (Craig)  F 'Enter
                Cordelia,  Kent,  and  Gentleman'.  Q  'Enter  Cordelia,
                Kent,  and Doctor'.  Both Gent,  and  Doct. are needed
                in the full  sc. but F cuts  11. 85-97, and so saves a 'part*
                by combining  them.  See p.  124.
                  Though   F  (+Delius,  Craig,  K.,  Muir,  etc.)  has at
                1.  20  the  S.D.  'Enter  Lear  in  a  chaire  carried  by
                Seruants', Camb.+most  mod. edd. begin the sc. with a
                discovery of 'Lear on a bed asleep'.  Apart from the fact
                that  Sh. envisaged no inner stage in this play (see Greg
                in  R.E.S.  xvi,  300-3), Bradley (Sh.  Trag. pp. 453  ff.)
                notes  this  opening  'discovery'  as  'utterly  wrong'  and
                going  far  to  defeat  Sh.'s  purpose. This  sc. 'shows  the
               first  meeting of Cord, and Kent, and the first meeting of
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