Page 137 - (DK) How to be a GENIUS?
P. 137
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No tes andd sketches
et
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k know about Leonardo’s many talents
k
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We k n w ab ou t Le o o ar do ’s m an y ta le nt s s
We
m
te
e
a ausse he kept notes illuustrateed with
be
s
ra
beca us e e he e k ep t no te s il lu st ra te d wi th
st
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c
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A
ig
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A
he
s
f
g
ed
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n
deta
tr
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d ailed sketches. An intrigguing feature
ng
ea
ui
s
ea
e
e
te
hese notess is that they are written from
he
y
e
om
of th se n t es i s th at t t t he y ar e w it te n fr om
e
a
fr
n
e
wr
it
n
kn
e
W
o
mi
m
ef
ow
righh t to ef t in “ mi rr o wr it in g. W e kn ow
to
h ht to left in ““mirror” writing. We knoww
that t Leonardo was left-handed, which
hi
hi
na
n
at
f
L
w
o
th
w
o
le
h
wa
wa
s
o
ch
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rd
de
le
k
kes writing left to right in ink quite
mak wr it t t in g le e ft t ri gh nk q u te e
w
in
e
ficult because your writingg hand
au
f
di d d ffi cu ec au se y y ou wr t in nd
f
smu ge h we in k. H po s i d e id d
ec
ud
udges thhe wet ink. He possiblyy decided
g
n
n
wa
u
a
gett aroound this by writting backward—
to g ro u s b y y wr r i i b ck wa rd —
d
o
ev e e id en ce o f s s r in al , lo c th ki ng
g
dennce of his origginal, logical thinking.
These studies of limbs by Leonardo were among
the first anatomical drawings ever made.
c
pi
pi
c
pi
nt
on
ifi
ifi
nt
ee
ee
on
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ie
Scientific pionneer
ie
ie
S Sc
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r
r
Gruesome fascination
Le
Leonardo was interested in all forms of
a
d
ar
ar
L
Le on ar do w as i i nt t er e te d in a ll f or ms o f
s
s
ms
in
on
d
w
on
er
do
ll
te
t
es
Leonardo was fascinated by human anatomy.
o
y,
ol
d
di
lu
o
,
zo
u
y,
z
s,
ic
ic
og
o
ol
pt
pt
og
s,
y,
i
sc sc sc science, including optics, anatomy, zoology,
n
ng
e
e,
na
nc
e,
m
to
ie
n
ie
nc
nc
a
i
nc
a
my
He spent hours dissecting human corpses and
bo ta ny y , , ge ol og y y, a nd a er od d d yn am c s. M or e e e
t
a
b botany, geology, and aerodynamics. Morre
ge
er
bo
a
M
m
m
a
yn
og
ny
nd
drawing what he saw. This gruesome activity
rt
od
me
m
an
on
th
ee
rt
p
y,
y,
h
e
y
f
a
o
h
h
d
d
e
tl
importanntly, he pioneered a method of
im
po
tl
pi
im
i
re
was considered suspicious, and was even
s
ad
da
da
to
ad
ns
y.
f
I
y
e
o
o
te
e
e
w
st
l
il
st
y
d
ud
th
st study that wwe still use today. Instead of
at
th
us
forbidden by the pope himself, but Leonardo was
in
n
ut
rm
ge
getting information from classical authors
ge tt t in g in fo rm at io o o n fr om c la ss ic al a ut ho o r rs
la
o
n
not easily put off. He pressed on, producing many
h
a
ut
us
th
e
e
e
ry
io
d
an
a d th e B b e e, h e u ed t he r r ev ol l ut i io na ry
and the Bible, hhe used the rrevolutionary
d
an
drawings, which he considered a much better
oa
approach o of obseerving natuure and askinng
in
in
pr
a
pr
s
sk
oa
n
nd
ap
a
ob
b
se
tu
g
ob
g
rv
g
g
n
na
v
o
in
re
f
v
ch
h
in
way of describing anatomical features than
?
?”
y
fly
fly
?
ow
t
io
st
ue
d
st
ns
i
ik
e
l
H
“H
l
bi
si simple questionss like “Howw do biirds fly?”
i
mp
rd
rd
q
d
s
q
e
o
s
written descriptions. Many of his drawings
are remarkably detailed and accurate.
135
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