Page 125 - Vegan Life - Issue 59 (February 2020)
P. 125

Creativity is enriching the


            burgeoning vegan movement


           and connecting people of like-


                       mind across the globe
























                                   Philip McCulloch-Downs talks to us about the
                                           uncompromising power of art




                   hen I was 19 years old    I started a job at a local animal rights   as a professional artist. Ater all, being ‘an
                   I became vegetarian overnight,   charity, and being surrounded by literature   artist’ may be an admirable calling, but it
           Water being stuck in trafic       about dairy, eggs, leather and vivisection   comes with no guarantee of security. I'm
           right next to a truck full of sheep being   forced me into that same ‘facing the truth’   very lucky indeed to have been allowed
           transported for slaughter. I was eye-to-eye   moment. Cheese, cream, and eggs could   to become what I truly wanted to be. One
           with the animals and I was forced to face   never taste good ever again. I still feel so   day, I may get a ‘proper job’!
           the truth (literally) about what it meant   guilty that it took 16 years of being fooled   Choosing a vegan lifestyle influenced
           to consume meat. Back then (in the early   by advertising and my own ignorance,   my art and writing for almost a decade,
           1990s) it was a diferent world — there   before I made this life-changing decision.  but always in an oblique, subtle way. In
           was no social media, and veganism was   I've been painting, drawing, and   2014, I decided to be more confrontational
           unknown to me, other than as an ‘extreme’   writing stories ever since I could hold a   and composed a book of ethical fables,
           lifestyle choice. But ater completing   pencil the right way round. My parents   written in a ‘magical realism’ style.
           an illustration degree at Polytechnic in   always encouraged me, my art teacher at   I decided to illustrate one of the stories
           Leicester, I began to gradually investigate   school guided me through the dificult/  with a portrait of the animal rights
           ways of living more ethically, and of   pretentious/angst-filled teenage years,   photographer, Jo-Anne McArthur, as I’d
           course, this included several (failed)   my polytechnic tutors broadened my   just read her book We Animals and was
           attempts at being vegan. It wasn't until   horizons, and my partner, Catherine,   incredibly moved by it. I emailed her the
           2005 that the penny finally dropped.   continues to support me in my adult life   portrait as a surprise, expecting nothing  ›


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