Page 29 - Making Cards & Papercraft (February 2020)
P. 29

INKING, BRAYERING, USING A GEL PRESS


         Lifting ink








         from a Gel Press                                                                        Tracy Evans


                                                                                                  Designed by





                                            For a worn, textured look, invest in a Gel Press and you can create a
            What do I need?
                                            beautiful background! Use alcohol inks by Ranger for this inky look.
            For both cards
               White card
               Sunflower Power stencil by Olga Heldwein by  Lifting wet ink        Remove any excess paint from
               AALL & Create                                                   4 the brayer onto a scrap piece of
               Enchanted, Intrigue & Villainous alcohol  Create an 11.5x16.5cm white card   card (which can be used for another
               pearl inks by Ranger         1 blank, with the fold at the top.  background in other projects). Allow this
               Alcohol inkpads and tool for applying the inks                  thin layer of paint to dry -which will only
               Wilted Violet Distress oxide
                                                Cut a second panel of white card   take a few moments as Fresco Finish paints
               5x7 Gel Press
               White Posca paint pen        2 measuring 10x15.2cm.             are fast drying by nature.
               Brayer

               Chalk, Lake Wanaka & Byzantium Fresco  Place the Gel Press onto a  at   Place the Sun ower stencil onto

               Finish paints by PaperArtsy  3 protected surface or non-stick craft  5 the Gel Press on the painted layer,
               Quote Chips & Index Clips by Tim Holtz  sheet. Add a small amount of Chalk paint   then add a few drops of each alcohol ink
               Black fine liner pen         to the Gel Press, then roll your brayer   onto the blending tool and apply the ink
               Non-stick craft sheet
                                            through the paint over the press, adding a   randomly around the stencil (Picture B).
                                            light layer of paint to the press (Picture A).   Allow the inks to dry, then remove the
             Lifting wet ink                                                   stencil from the press (Picture C).
             All items above plus
               Index Clips by Tim Holtz











































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