Page 73 - All About History - Issue 72-18
P. 73

for cut-down prices, including works by van         But what of the artists whose
          Gogh, Gauguin and Picasso. In the ultimate        reputations were ruined by
          act of hypocrisy, many degenerate works of        the Degenerate Art exhibition?
          art that were looted and sold by the Nazis        Formerly Austria’s greatest
          were acquired by the very men who sold            artist, Oskar Kokoschka fled to
          them, bargain-hunters on the prowl for their      Czechoslovakia, then later the
          next fortune. The rest ended up dispersed         UK, before settling in Switzerland
          across the world or tragically lost.              where he died in 1980. Utterly
                                                            rui ined by his fall from grace,
                                                              nst Ludwig Kirchner killed
                                                            Ern
                                                              mself in 1938. Max Beckmann,
                                                            him
                                                             ke Kokoschka, escaped into
                                                            lik
                                                            ex ile. The once-proud Nazi
                                                            Em
                                                             mil Nolde was banned from
                                                            ev er painting again by his one-
                                                             me compatriots, so took up
                                                            tim
                                                              atercolours, a medium that
                                                            wa
                                                              dn’t smell and was therefore
                                                            did
                                                            ea
                                                             asy to hide. All degenerate
                                                            ar tists who worked in
                                                            un
                                                             niversities and art schools lost
                                                             heir positions.
                                                            th
                                                              Many of the artists who
                                                              nwillingly starred in the
                                                            un
                                                            De
                                                              egenerate Art exhibition are
                                                             oday little more than just
                                                            to
                                                              ames on paper. With careers
            A letter sent from                              na                                                                               Despite being a member of the Nazi
            Ziegler to Emil Nolde,                          cu                                                                            Party himself, Emil Nolde was deemed
                                                             ut down in their prime, we’ll
            which declares that                                                                                                          a degenerate and this Crucifixion scene
                                                              ever truly know what could
            the artist’s works                              ne                                                                            hung in the Degenerate Art exhibition
                                                              ave become of some of these
            have been deemed                                 ha
            degenerate                                       cr reative geniuses.

             THE GOTTBEGNADETEN LIST




             InabidtobuildNaziculture,alistofveryspecialartistswasdrawnup


             In the wake of the Degenerate Art exhibition Hitler and Goebbels
             were determined to see Nazi culture blossom and grow. In 1944  Sculptor Arno
             a record entitled the ‘Gottbegnadeten’ list – or ‘God-gifted’ list –  Breker at work
                                                                           in the 1930s
             was drawn up, featuring artists, musicians, actors, authors and
             other creatives that were considered national treasures. Among
             these prized figures were composer Richard Strauss, Nobel Prize-
             winning writer Gerhart Hauptmann and actor Heinz Rühmann.
             The honour meant that a letter was sent to the recipient, but
             is also guaranteed that the recipient was exempt from military
             mobilisation; these figures’ contributions to culture were deemed
             more valuable than they could be in war.
               Arno Breker was one such artist who found himself on the God-
             gifted list. Championed as one of the greatest sculptors of the
             Third Reich, Breker had created sculptures for the 1936 Olympic
             Games, as well as creating two bronze sculptures to stand outside
             the Reich Chancellery. Exempt from military service, Breker was
             appointed the official sculptor of the Nazi Party and was gifted a
             studio, as well as almost 50 assistants.
               By the time the Third Reich crumbled, Breker’s reputation had
             spread far and wide. Identified as a ‘fellow traveller’ of the Nazi
             Party than necessarily a Nazi himself, Breker was fined and left
             to continue his life in Düsseldorf. Over the next few decades he
             was commissioned by several wealthy and powerful patrons,
             including the King of Morocco. In 1985 a museum devoted to
             Breker’s works opened in Nörvenich, Germany. He died in 1991
             still a celebrated German artist, but many of his list-mates died                                                                                © Alamy, Getty Images, TopFoto
             in relative obscurity, their talent irrevocably tarnished by their
             relationships with the Nazis.







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