Page 215 - The Rough Guide to Myanmar (Burma)
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BAGAN BAGAN AND AROUND  213
        Standing directly opposite the Nathlaung Kyaung is the Ngakywenadaung Pagoda,    5
       a small, unusually bulbous stupa looking like a miniature version of the nearby Bupaya.
       Traces of the green glazed tiles that originally covered it can still be seen.

       Thatbyinnyu Paya and around
               • Daily 8am–6pm
       Dominating the skyline of Old Bagan is the monumental Thatbyinnyu Paya, one of the
       largest temples anywhere in Bagan. It’s also the tallest, rising to a height of around
       66m, although it’s the sheer mass of the building that really impresses. Built by King
       Alaungsithu (ruled 1112–67), the temple marks an important transitional point
       between Bagan’s early and late styles. This was Bagan’s first fully fledged “double-cube”
       two-storey temple, with the main shrine placed on the upper storey and the traditional
       ground-floor shrine replaced with a “solid-core” structure in order to support the extra
       weight of the additional storey above. Each of the two storeys is topped with three
       terraces (now with flat roofs rather than the pitched lean-to roofs of earlier temples)
       and adorned with crenellations and corner stupas. Entrances are placed at each of the
       cardinal points – the so-called “four-faced layout” (with a slightly larger eastern
       portico) typical of late-period Bagan style and which, unlike earlier temples, often
       only had a single entrance. The interior has nice traces of geometrical floral murals
       inside the west entrance, but is otherwise disappointingly plain.
        On the northeast side of the temple, look out for the small “tally temple” (gayocho).
       One brick out of every ten thousand used in the construction of Thatbyinnyu was set
       aside for counting purposes and a whitewashed temple was built with the resultant
       bricks – the surprising scale of the resultant structure gives a good idea of quite how
       many bricks were consumed by the mother temple. Around 100m south of the temple,
       you should also look out for the small surviving stretch of Old Bagan’s crumbling city
       walls, which offers fine views over the surrounding monuments.
       Shwegugyi Paya
            • Daily 8am–6pm
       Built in 1140 during the reign of Alaungsithu, the Shwegugyi Paya is one of Old
       Bagan’s most elegant temples, relatively small but perfectly formed. Like the nearby
       Thatbyinnyu, the Shwegugyi exemplifies the transition between Bagan’s weighty
       Mon- and Pyu-influenced early style and the lighter, airier and more upwardly mobile
       late style, with its graceful curvilinear tower and stupa finials rising needle-like from the
       temple’s roof.
        Unusually, the main entrance is on the north side (rather than the customary east),
       presumably in order to face the nearby royal palace. A large Buddha sits facing the
       main entrance, opposite which (on your right as you enter) stands a pair of ancient
       Pali inscriptions recording, among other details, the temple’s construction, which it is
       claimed took just seven months. Elsewhere traces of fine plasterwork decoration are
       still visible, along with three smaller Buddha figures in the ambulatory, roughly caked
       in gold leaf applied by dutiful worshippers.

         ALAUNGSITHU AND NARATHU
         The Shwegugyi Paya stands on an unusually high brick platform. According to one
         (particularly implausible) legend, this rose spontaneously from the ground in tribute to
         King Alaungsithu’s accumulated spiritual merit prior to the temple’s construction in 1140.
         Twenty-three years later, it is said, the elderly and ailing king was brought back to Shwegugyi
         and left to die. When the king began showing unwelcome signs of recovering from his illness,
         his son and heir-apparent Narathu decided to hasten him on his way by smothering him to
         death in his own bedclothes, thereby murdering Alaungsithu in the temple that his own merit
         had helped to create. The moral of the story remains unclear.
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