Page 411 - (DK Eyewitness) Travel Guide - Italy
P. 411

ROME :  AROUND  PIAZZA  NA VONA      409

       u Sant’Ignazio di                       o Piazza di
       Loyola                                  Montecitorio
       Piazza di Sant’Ignazio. Map 2 F4.       Map 2 F3. Palazzo di Montecitorio
       Tel 06 679 44 06. @ 117, 119,           Tel 06 676 01. @ 116. Open 10am–
       492. Open 7:30am–7pm daily (from        3:30pm 1st Sun of month (except Jul,
       9am Sun). 5                             Aug & 1st week of Sep).
       This church was built by Pope           The obelisk in the centre of
       Gregory XV in 1626 in honour            Piazza di Montecitorio formed
       of St Ignatius of Loyola, founder       the spine of a giant sundial
       of the Society of Jesus (Jesuits)       brought back from Egypt by
       and the man who most                    Augustus. It vanished in the 9th
       embodied the zeal of the                century, and was rediscovered
       Counter-Reformation.                    under medieval houses during
         Together with the Gesù (see           the reign of Julius II (1503–13).
       p407), Sant’Ignazio forms the   Detail from the AD 180 Column of Marcus     The piazza is dominated by
       nucleus of the Jesuit area of   Aurelius, Piazza Colonna  the Palazzo di Montecitorio, de -
       Rome. It is one of the most             signed by Bernini and completed
       extravagant Baroque churches   i Piazza Colonna  in 1697, after his death, by Carlo
       and its vast interior is plated with   Map 3 A3. @ 116, 117, 492.  Fontana. It has been the seat of
       precious stones, marble, stucco         Italy’s Chamber of Deputies
       and gilt, creating a thrilling   Home to Palazzo Chigi, official   since the late 19th century.
       sense of theatre. The church    residence of the prime minister,
       has a Latin-cross plan, with an   Piazza Colonna is dominated by
       apse and many side chapels.    and named after the majestic
       A cupola was planned but never  Column of Marcus Aurelius.
       built, as the nuns from a nearby   This was erected after the death
       convent objected that it would   of Marcus Aurelius in AD 180 to
       obscure the view from their roof   commemorate his victories over
       garden. Instead the space was   the barbarian tribes of the
       filled by a perspective painting of   Danube. It is clearly an imitation
       a dome on a flat disc.  of Trajan’s Column (see p392),
         Even more striking is the   with scenes from the emperor’s
       illusionistic ceiling created by   wars spiralling in reliefs up the
       the Jesuit artist Andrea Pozzo    column. The 80-year lapse
       in 1685, a propagandist extra-  between the two works
       vaganza extolling the success of   produced a great artistic
       Jesuit missionaries throughout   change: the wars of Marcus
       the world. Above four women,   Aurelius are rendered with
       representing Asia, Europe,   simplified pictures in stronger
       America and Africa, lithe angels   relief, sacrificing Classical   La Maddalena’s stuccoed façade
       and beautiful youths are sucked   proportions for the sake of
       into a heaven of fluffy clouds.  clarity and immediacy.  p La Maddalena
                                               Piazza della Maddalena 53. Map 2 F3.
                                               Tel 06 899 281. @ 116 & many other
                                               routes. Open 8:30–11:30am,
                                               5–6:30pm daily (9–11:30am Sat).
                                               Situated in a small piazza near
                                               the Pantheon, the Maddalena’s
                                               Rococo façade, built in 1735,
                                               epitomizes the love of light and
                                               movement of the late Baroque.
                                               The façade has been restored,
                                               despite the protests of Neo-
                                               Classicists who dismissed its
                                               painted stucco as icing sugar.
                                                 The diminutive dimensions
                                               of the church did not deter
                                               17th- and 18th-century
                                               decorators from filling the
                                               interior with paintings and
                                               ornaments from the floor to
       Baroque illusionistic ceiling by Andrea Pozzo in Sant’Ignazio di Loyola  the top of the elegant cupola.




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