Page 529 - (DK Eyewitness) Travel Guide - Italy
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SOUTHERN  IT AL Y      527

       SICILY


       On a crossroads in the Mediterranean, part of Europe
       and Africa, yet belonging to neither, Sicily was tramped
       across by half the ancient civilized world. As conquerors
       came and went, they left behind elements of their
       culture, resulting in the rich and varied mixture that
       typifies every aspect of Sicilian life, from language,
       customs and cooking to art and, most notably, the
       architecture of the island.

       During the 6th and 5th centuries BC,    elaborate ritual of the Spanish Viceregal
       there cannot have been much difference   court, tend towards extravagant display.
       between Athens and the Greek cities of   At Noto, Ragusa, Modica, Siracusa and
       Sicily. Their ruins are among the most   Catania the buildings are a useful vehicle
       spectacular of the ancient Greek world.   for the Sicilians’ love of ornamentation,
       The Romans took over in the 3rd century   itself a remnant from the island’s early fling
       BC, followed by the Vandals, Ostrogoths   with the Arab world. The style is an
       and Byzantines. Not much that is tangible   expression of the nature of Sicilians, whose
       has survived from the days of the Arabs,   sense of pomp and pageantry is both
       who ruled from the 9th to 11th centuries,   magnificent and extreme.
       though Palermo’s Vucciria is more souk   Sicily is a curiosity, and the legacy of the
       than market. The Norman era, beginning   past is redolent everywhere. The fact that
       in 1061, spawned brilliant artistic   it is an island has intensified the cultural
       achievements, such as the cathedrals of   impact of each successive occupier. They
       Monreale and Cefalù, while the eclecticism  say that today there’s as much Phoenician,
       of that period’s architecture is best seen at   Greek, Arabic, Norman, Spanish or French
       Santi Pietro e Paolo outside Taormina.  blood in Sicilian veins as there is Italian.
        The Sicilian Baroque of the 17th and 18th   The resulting mixture – exotic, spicy and
       centuries is just as individual. The palaces   highly inflammable – has created a distinct
       and churches of Palermo, reflecting the   culture at the foot of Italy.























       Detail of a 12th-century mosaic from the Palazzo dei Normanni in Palermo
         The fishing harbour in the town of Cefalù on a clear summer evening



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