Page 223 - (DK Eyewitness) Travel Guide - Europe
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BRUSSELS      221


       among his religious canvases.
       Other notable paintings include
       van Dyck’s Portrait of Porzia
       Imperial with her daughter Maria
       Francesca (1620s) and Three
       Children with Goatcart by Frans
       Hals (c.1582–1666).
         The Musée Fin-de-Siècle
       focuses on the years between
       1868 and 1914, during which
       Brussels was the artistic capital
       of Europe, thanks to the efforts
       of James Ensor, Constantin
       Meunier, and Victor Horta,
       among others. In addition to
       visual arts, the museum
       explores the literature, poetry
       and music of the period. One of
       the highlights of this collection
       is a 3D reconstruction of six Art
       Nouveau buildings.  The magnificent 19th-century Palais Royal in Upper Town
         Works in the Musée Modern
       vary greatly in style and subject   to the Hall of Mirrors at    Today, this is an area of
       matter, from Neoclassicism to   Versailles (see pp168–9), is    upscale antiques dealers,
       Realism, Impressionism, and   where ceremonial occasions    fashionable restaurants, and
       Symbolism. The dramatic Death   are held, and guests presented   trendy bars, where you can
       of Marat (1793) by Jacques-Louis   to the king and queen.  stay drinking until the early
       David (1748–1825) can be seen           hours of the morning.
       in the old part of the museum.  8 Place du Grand     At the far end of the square
         The Musée Magritte is                 stands the lovely church of
       devoted to one of Belgium’s   Sablon    Notre-Dame du Sablon, built
       most famous artists and a major   @ 27, 48, 95. v 92, 93. q Louise,   in the Brabant Gothic style,
       exponent of Surrealism, René   Parc.    and boasting
       Magritte (1898–1967). Spread            some glorious
       over five floors, it is the world’s   Located on the slope of the   stained-glass
       largest collection of his work   escarpment that divides   windows. On
       and covers all periods of his    Brussels in two, the Place du   the opposite
       life, from the dazzling early   Grand Sablon is like a stepping   side of the road
       Cavernous period of the late   stone between the upper and   to the church is
       1920s to the renowned Domain   lower towns. The name “sablon”   the Place du
       of Arnheim (1962).  derives from the French “sable”   Petit Sablon.
                           (sand), and the square is so   In contrast to
       7 Palais Royal      called because this old route   the busy café   Notre-Dame du
                                               scene of the
                           down to the city center once
       Place des Palais. Tel 02-551 2020. @   passed through sandy marshes.   larger square,   Sablon window
       27, 29, 38, 63, 65, 66, 71, 95. v 92, 93.   these pretty
       q Trône, Parc. Open 10:30am–5pm         formal gardens are a peaceful
       Tue–Sun (last adm 4:30). Closed mid-    spot to stop for a rest. Sit
       Sep–mid-Jul. = 7 ∑ monarchie.be         and admire the set of bronze
                                               statues by Art Nouveau artist
       The official home of the Belgian        Paul Hankar, each representing
       monarchy, this is one of the            a different medieval guild of the
       finest 19th-century buildings in        city. At the back of the gardens
       the Upper Town. Construction            is a fountain, built to
       began in the 1820s on the site          commemorate Counts Egmont
       of the old Coudenberg Palace.           and Hoorn, the martyrs who led
       Work continued under Léopold            a Dutch uprising against the
       II (reigned 1865–1909), when            tyrannical rule of the Spanish
       much of the exterior was                under Philip II. On either side
       completed. The most lavish              of the fountain are 12 further
       state reception rooms include           statues of prominent 15th- and
       the Throne Room, with 28 wall-          16th-century figures, including
       mounted chandeliers, and the   Terrace café on the upscale Place du    Gerhard Mercator, the Flemish
       Hall of Mirrors. The latter, similar   Grand Sablon  geographer and mapmaker.




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