Page 65 - (DK Eyewitness) Travel Guide - Washington, DC
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NA TIONAL  GALLER Y  OF  AR T      63


       Several paintings by Rubens
       in this section testify to his
       genius, among them Daniel
       in the Lions’ Den (c.1615). This
       depicts the Old Testament
       pro phet, Daniel, thanking God
       for his help during his night
       spent surrounded by lions.
       In 1617, Rubens exchanged
       this work for antique marbles
       owned by a British diplomat.
       Rubens also painted Deborah
       Kip, Wife of Sir Balthasar Gerbier,
       and her Children (1629–30). Not
       a conventional family portrait,   Geometric skylights in the plaza between the West Building to the East Building
       the mother and her four
       children seem withdrawn                 the atrium is Untitled, a vast
       and pensive, suggesting   American Painting  red, blue, and black creation
       unhappiness and perhaps    This important collection    by Alexander Calder. It was
       even foreboding tragedy. Van   of American artists shows    commissioned in 1972 for
       Dyck painted Rubens’s first wife,   evi dence of European influence,   the opening of the museum
       Isabella Brant (c.1621) toward   but in themes that are reso lutely   in 1978. At the entrance to
       the end of her life. Although   American. James McNeill   the East Building is Henry
       she is smiling, her eyes reveal   Whistler’s Mother of Pearl    Moore’s bronze sculpture
       an inner melancholy.  and Silver: The Andalusian    Knife Edge Mirror Two Piece
                           (1888–1900) has a European   (1977–8).
                           sophistication. Mary Cassatt left     Also in the East Building are
       19th-century French Art
                           America for exile in Europe and   an excellent research center for
       This is one of the best   was heavily influenced by the   schools, offices for the curators
       Impressionist collections   Impressionists, especially Degas.   of the gallery, a library, and a
       outside Paris. Works on    Boating Party (1893–4) is an   large collection of drawings
       display include             example of one    and prints.
       Paul Cézanne’s              of her recurrent     Both the East and West
       personal The Artist’s       themes: mother   buildings also host traveling
       Father Reading              and child. Children   exhibits. These exhibitions
       “L’Evénement”               Playing on a Beach   are not limited to modern
       (1866), Auguste             (1884) is also a   pieces, but have included
       Renoir’s A Girl with        good example    the art of ancient Japan,
       a Watering Can              of her child   American Impressionists,
       (1876), Four                paintings, and   and the sket ches of Leonardo
       Dancers (c.1899)            Miss Mary Ellison    da Vinci in the past.
       by Edgar Degas,             of her por traiture.
       and Claude                  Winslow Homer’s   Sculpture Garden
       Monet’s Woman               Breezing Up (A Fair
       with a Parasol –   Miss Mary Ellison by    Wind) (1873–6)    Located across the street from
       Madame Monet   Mary Cassatt (1880)  is a masterpiece    the West Building at 7th Street,
       and Her Son (1875)          by the American   the elegant Sculpture Garden
       and Palazzo da Mula, Venice   Realist. His painting is a charm-  holds 17 sculp tures. The late
       (1908). Post-Impressionist   ing depiction of three small boys   20th-century works include
       works include Seurat’s   and a fisherman.  pieces by Louise Bourgeois,
                                                 Roy Lichtenstein, and Joan
       pointillist The Lighthouse at             Miró. Although there are
       Honfleur (c.1886), in which   Modern and    large swings in style and
       thousands of dots are used                size, the sculptures do not
       to create the image, and Van   Contemporary Art  compete with each other
       Gogh’s Self Portrait. The latter   The enormous East Building   because they are spread
       was painted in St Rémy in 1889   houses modern and contem -  out. Transformed into an ice
       when he was staying in an   porary art. I.M. Pei’s “H”- shaped   rink in winter and a venue
       asylum and shows his mastery   building contains a vast atrium   for free jazz concerts in
       at capturing character and   which is edged by four balconies   summer, the garden functions
       emotion. Toulouse-Lautrec’s   and adjacent galleries. Archi-  both as an outdoor gallery
       painting, Quadrille at the Moulin   tecturally, this space provides    and as a pleasant oasis within
       Rouge (1892), depicts a dancer   a dramatic focus and spatial   the city. The pavilion houses
       provocatively raising her skirts   orientation for visitors to the   a year-round café.
       above her ankles.   East Building. Centered in




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