Page 71 - (DK Eyewitness) Travel Guide - Cuba
P. 71

LA   HABANA  VIE JA      69

       2 Museo de                              seminary has now moved to
       Arte Colonial                           a new home in Guanabacoa,
                                               and the old seminary building
       Calle San Ignacio 61. Map 4 E2.         contains a Catholic cultural
       Tel 7862 4458. Open 9:30am–5pm          centre, Centro Cultural
       Tue–Sun. & 8 Note: fee for              Católico de La Habana.
       photography may apply.
       This 18th-century mansion,
       built by Don Luis Chacón,               4 La Bodeguita
       governor of Cuba, has been
       the home of a fascinating               del Medio
       museum dedicated to colonial            Calle Empedrado 207. Map 4 E2. Tel
       art since 1969. The building is         7867 1374. Open noon–midnight daily.
       a fine example of a colonial
       residence and is constructed            Standing exactly at the halfway
       around an elegant courtyard.            point in a typical small street
         The 12 rooms on the ground            in old Havana, a few steps
       floor and first floor contain   Colonial furniture in the Museo de    away from the Cathedral, La
       furniture, chandeliers, porcelain   Arte Colonial  Bodeguita del Medio (literally,
       and other decorative pieces             “little shop in the middle”) has
       from various 18th–19th-century   There is also an old portal    become a big attraction.
       middle-class and aris to cratic   on Calle San Ignacio, built      The place was founded in
       houses in Havana, in which   in the Churrigueresque style   1942 as a food shop. A bar
       European, Creole and colonial   which was common in Spain   serving alcoholic drinks was
       traditions are combined.   and her colonies in this period.  added, and the place became
       Besides a remarkable collection     The large central courtyard    a haunt for intellectuals, artists
       of furniture made of tropical   is the only one of its kind in   and politicians. Today it is no
       wood, the museum has an   Cuba: it has gal leries on   longer a shop but a bustling bar
       exceptional collection    three levels, the    at the front serving shots of rum
       of stained-glass            first with simple   and Cuban cocktails and a good
       windows (medio  ­            columns, the   restaurant hidden in the back
       punto), typical               second with   offering typical Creole dishes.
       of Cuba’s                     double    The walls are plastered with
       Creole crafts-  Museo de Arte Colonial: an arched   columns,    photographs, drawings, graffiti
       men (see p29).  mediopunto window  and the third   and visitors’ autographs,
         There is also a             with plain   including those of famous
       thirteenth room where exhi-  wooden piers.   patrons such as the singer Nat
       bitions of contemporary art      The lavishly decorated    King Cole, poets Pablo Neruda
       and crafts inspired by colonial   inner stairway leading to the   and Nicolás Guillén, and the
       art are held. During the week   first floor has trapezoidal    writers Gabriel García Marquez,
       the museum organizes tours    motifs instead of the more   Alejo Carpentier (see p33), and
       for school children and leisure   common arch, and fine black   Ernest Hemingway, who was
       activities for the elderly in    mahogany banisters. The   a regular here.
       the area.
       3 Seminario de
       San Carlos y
       San Ambrosio
       Tacón e/ Chacón y Mercaderes . Map
       4 E2. Tel 7862 6989. Open 9am–4pm
       Mon–Sat (courtyard only). Closed
       1 Jan, 26 Jul, 10 Oct, 25 Dec.
       This building was erected by
       the Jesuits in the mid-18th
       century to house a seminary
       first founded in 1689. Famous
       Cuban patriots and intellectuals
       studied here. One of them was
       Padre Félix Varela (1788–1853),
       who laid down the theoretical
       bases for the Cuban war of
       indepen dence (see p32).  La Bodeguita del Medio with its memento-covered walls




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