Page 131 - (DK Eyewitness) Travel Guide - The Netherlands
P. 131

MUSEUM  QU AR TER      129


       This is particularly true of
       portraiture and still lifes, with the
       evocative Still Life with Flowers
       and Fruit by Jan van Huysum
       (1682–1749) standing out. A
       trend developed later for elegant
       “conversation pieces” by artists
       such as Adriaan van der Werff
       (1659–1722) and Cornelis Troost
       (1696–1750). Most had satirical
       undertones, like The Art Gallery
       of Jan Gildemeester Jansz (1794)
       by Adriaan de Lelie (1755–1820),
       showing an 18th-century salon
       whose walls are crowded with
       17th-century masterpieces.
       Hague School and the
       Impressionists
       The so-called Hague School was
       made up of a group of Dutch
       artists who came tog ether
       around 1870 in The Hague. Their
       landscape work, which earned
       them the altern ative title the
       “Grey School” for their overcast
       skies, captures the atmospheric
       quality of subdued Dutch
       sunlight. One of the prizes of
       the Rijksmuseum’s 19th-century   Still Life with Flowers and Fruit (c.1730) by artist Jan van Huysum (1682–1740), one of
       collection is Morning Ride on the   many still lifes exhibited in the Rijksmuseum
       Beach (1876) by Anton Mauve
       (1838–88), painted in soft pearly   are modelled on contemporary   Asiatic Art
       colours. Alongside hangs the   town houses. Some outstanding
       beautiful polder landscape View   18th-century Meissen porcelain   Rewards of the Dutch imperial
       near the Geestbrug by Hendrik   and Art Nouveau glass complete   trading past are on show in
       Weissenbruch (1824–1903).    the collection.  this department, which has a
       In contrast, the Dutch                  separate entrance at the rear
       Impressionists, closely linked    Prints and Drawings  of the museum. Some of the
       to the French Impressionists,           earliest artifacts are the most
       preferred active subjects such    The Rijksmuseum owns about    unusual: tiny bronze Tang
       as The Bridge over the Singel at   a million prints and drawings.   dynasty figurines from 7th-
       Paleisstraat, Amsterdam    Although the emphasis is    century China and gritty,
       (1890) by George Hendrik   on Dutch works (most of   granite rock carvings from
       Breitner (1857–1923).  Rembrandt’s etchings as well as   Java (c.8th century). Later
                           rare works by Hercules Seghers   exhibits include a lovely –
                           (c.1589–1637) are here), there   and extremely explicit – Hindu
       Sculpture and       are prints by major European   statue entitled Heavenly
       Applied Arts
                           artists, including Dürer,   Beauty, luscious
       Beginning with religious   Tiepolo, Goya,     Chinese parchment
       medieval sculpture, this section   Watteau and   paintings of tigers,
       moves on to the splendour    Toulouse-Lautrec,    inlaid Korean boxes
       of Renaissance furniture and   as well as a set of   and Vietnamese
       decoration. Highlights that   coloured Japanese   dishes painted
       capture the wealth of the Golden   woodcuts. Small   with curly-tailed
       Age include the exquisite   exhibitions are held   fish. This is a
       collections of glassware and   on the ground floor    veritable hoard of
       Delftware (see pp32–3), and   of the museum, but   delights and, above
       diamond jewellery. A late   particular prints can be   all, a monument to
       17th-century, 12-leaf Chinese   viewed with special   the sophistication and
       screen incorporates European   permission from the    skill of craftsmen
       figures on one side, a phoenix on  Study Collection in   Late 7th-century Cambo dian   and artists in early
       the other; and two dolls’ houses   the basement.  Head of Buddha  Eastern cultures.




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