Page 142 - (DK Eyewitness) Travel Guide - Krakow
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140   KR AK OW  AREA  B Y  AREA


                           0Grunwald           years. Neo-Classicism was
                           Monument            then applied to important
                           Pomnik Grunwaldzki  public buildings housing
                                               administrative and financial
                           Plac J Matejki. Map 2 D3 (6 E1). @  institutions, and was in sharp
                           154, 192, 304. v 2, 4, 7, 13, 15, 20, 24.  contrast to the Functionalism
                                               favoured in left-wing circles. The
                           The monument, featuring   exterior sculptural decoration is
                           King Władysław Jagiełło on   by Karol Hukan and Stanisław
                           horseback, was raised to mark   Popławski. Inside, the domed
                           the 500th anniversary of the   banking hall is worth a visit.
                           1410 victory at Grunwald
                           (Tannenberg in German) over
                           the Teutonic Knights. It was
                           commissioned by the states-
                           man, composer and pianist,
       The Baroque altar of St John of Kęty in   Ignacy Jan Paderewski, from
       St Florian’s Church  the sculptor Antoni Wiwulski.
                            The monument was inspired
       9St Florian’s       by grandiose German monu-
       Church              ments of the second half
       Kościół św. Floriana  of the 19th century. It was
                           generally well received but
       ul. Warszawska 1B. Map 2 D3. Tel 12   some critics mocked the
       422 48 42. @ 304. v 2, 4, 7, 14, 24.   theatrical treatment of the
       Open during services only.  figures. Some even suggested
                           that the only lifelike figure was
       In 1184 Duke Kazimierz the   that of the dead Grand Master   The Academy of Fine Arts in Renaissance
       Just received the relics of   Ulrich von Jungingen. The   Revival style
       St Florian from Pope Lucius III   monument was destroyed by   wAcademy of
       and decided to deposit them   the Nazis in 1939 and only
       in Krakow. The horses which   reconstructed in 1975 by the   Fine Arts
       drew the carriage carrying the   sculptor Marian Konieczny.  Plac J Matejki 13. Map 2 D3 (6 E1).
       relics of the martyr stopped             Tel 12 299 20 00. @ 304.
       suddenly in Kleparz, before   qNational Bank   v 2, 4, 7, 14, 24.
       reaching the city’s gate, and
       refused to move forward. This   of Poland   The school of Fine Arts in
       was interpreted as a miraculous   ul. Basztowa 20. Map 2 D3 (6 E1).   Krakow gained independent
       sign indicating where the relics   Tel 12 181 26 00. @ 304.   status in 1873 through the
       should be placed. The church   v 2, 4, 7, 14, 24.   efforts of the artist Jan Matejko.
       was, therefore, built on this spot   Open 7am–5pm Mon–Fri.  Three years later the school
       between 1185 and 1212. After             was allocated a plot in Kleparz
       the capital was transferred to   The bank, built between 1921   by the city’s authorities. The
       Warsaw, the church came to   and 1925 by the architects   building was constructed
       prominence as it was used to   Teodor Hoffman and Kazimierz   in 1879 to 1880 to designs
       receive the deceased royalty   Wyczyński, exemplifies the Neo-  by Maciej Moraczewski.
       brought from Warsaw for   Classical style which became   The architect adopted the
       burial at Wawel. The funeral   popular during the inter-war   Renaissance Revival style for
       processions started here.
        The church was damaged by
       frequent invasions and no trace
       of the medieval architecture has
       remained. The present interior
       and its decoration date from
       1677 to 1684. The high altar
       with an effigy of St Florian,
       painted by Jan Tricius in the
       late 17th century, as well as an
       incomplete late-Gothic altar
       of St John the Baptist are of
       interest. The exterior was
       entirely remodelled by
       Franciszek Mączyński in
       the early 20th century.  The imposing building of the National Bank of Poland
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