Page 215 - (DK Eyewitness) Travel Guide - Rome
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       were taken from previous                chapels. Today, contemporary
       buildings, including the                exhibitions are occasionally
       great porphyry ones of a                held here.
       triumphal arch. The mosaic
       floor is the result of recycling        0 San Francesco
       precious marble from various            a Ripa
       Roman ruins.
                                               Piazza San Francesco d’Assisi 88. Map
       7 Caserma dei Vigili                    7 C2. Tel 06-581 9020. @ H, 23, 44, 75,
       della VII Coorte                        280. v 8. Open 7:30am–1pm &
                                               2–7:30pm daily. 5 7
       Via della VII Coorte 9. Map 7 C1.
       Tel 06-0608. @ H, 23, 280, 780. v 8.    St. Francis of Assisi lived here
       Closed for restoration work; call       in a hospice when he visited
       for details.                            Rome in 1219, and his stone
                                               pillow and crucifix are preserved
       Not all Roman ruins are Imperial        in his cell. The church was
       villas or grand temples; one that       rebuilt by his follower, the
       illustrates the daily life of a busy    nobleman Rodolfo Anguillara,
       city is the barracks of the guards      who is portrayed on his
       of the VII Coorte (7th Cohort),         tombstone wearing the
       the Roman fire department. It           Franciscan habit.
       was built in Augustus’s reign, in         Entirely rebuilt in the 1680s
       the 1st century AD, and the             by Cardinal Pallavicini, the
       excavated courtyard is where            church is rich in sculpture.
       the men would rest while                Particularly flamboyant are
       waiting for a call-out.                 the 18th-century Rospigliosi
                                               and Pallavicini monuments
       8 Santa Cecilia in                      in the transept chapel.
       Trastevere                                The Paluzzi-Albertoni chapel
                                               (fourth on the left, along
       Piazza di Santa Cecilia. Map 8 D1.      the nave) contains Bernini’s
       Tel 06-589 9289. @ H, 23, 44, 280.    Detail of 13th-century fresco by Pietro   breathtaking Ecstasy of Beata
       v 8. Open 10am–1pm & 4–7pm   Cavallini in Santa Cecilia  Ludovica Albertoni.
       daily. & Excavations: Open 10am–
       1pm & 4–7pm daily. Cavallini fresco:   statue of St. Cecilia by Stefano
       Open 10am–12:30pm daily.  Maderno, who used her   q Villa Sciarra
                           miraculously preserved remains   Via Calandrelli 35. Map 7 B2. @ 44,
       St. Cecilia, aristocrat and patron   as a model when she was briefly   75. Park: Open 9am–sunset daily. 7
       saint of music, was martyred   disinterred in 1599.
       here in AD 230. After an attempt        In Roman times the site of this
       at scalding her to death, she   9 San Michele a   small, attractive public park
       was beheaded. A church was              was a nymph’s sanctuary. It is
       founded – perhaps in the 4th   Ripa Grande   especially picturesque in spring
       century – on the site of her   Via di San Michele 25. Map 8 D2.    when its wisterias are in full
       house. (The house, beneath the   Tel 06-6723 1440. @ 23, 44, 75, 280.   bloom. The paths through
       church with the remains of a   Open for special exhibitions only.  the park are de corated with
       Roman tannery, is well worth            Romantic follies, fountains, and
       a visit.) Her body turned up in   This huge, imposing complex,   statues, and there are splendid
       the Catacombs of San Callisto   now housing the Ministry    views over the bastions of
       (see p267), and was buried here   of Culture, stretches 985 ft    the Janiculum.
       in the 9th century by Pope   (300 m) along
       Paschal I, who rebuilt the   the Tiber River.
       church. A fine apse mosaic   It was built on
       survives from this period.  the initiative
         The altar canopy by Arnolfo    of Pope
       di Cambio and the fresco of    Innocent XII
       The Last Judgment by Pietro   and contained
       Cavallini, reached through the   a home for
       adjoining convent, date from   the elderly,
       the 13th century, one of the    a boys’ reform
       few periods when Rome had a   school, a
       distinctive artistic style of its   woolen mill,   Bernini’s Ecstasy of Beata Ludovica Albertoni (1674) in
       own. In front of the altar is a   and various   San Francesco a Ripa




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