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24      INTRODUCING  BRUSSELS


        Belgian Comic Strip Art

        Belgian comic strip art is as much a part of Belgian culture   where he expressed a strong
        as chocolates and beer. The seeds of this great passion were   sense of justice in such stories
        sown when the US comic strip Little Nemo was published    as King Ottakar’s
                                                Sceptre, where
        in French in 1908 to huge popular acclaim in Belgium. The   a fascist army
        country’s reputation for producing some of the best comic   attempts to seize
        strip art in Europe was established after World War II. Before   control of a
        the war, Europe was awash with American comics, but the   central European
        Nazis called a halt to the supply. Local artists took over,    state. Hergé took
        and found that there was a large audience who preferred   great care in   Spirou cover
                                                researching his
        homegrown comic heroes. This explosion in comic strip art   stories; for Le Lotus
        was led by perhaps the most famous Belgian creation ever,   Bleu in 1934, which was set in
        Tintin, who, with his dog Snowy, is as recognizable across   China, he wrote: “I started…
        Europe as Mickey Mouse.                 showing a real interest in
                                                the people and countries
                                                I was sending Tintin off to,
                            Le petit Vingtième. Eager to   concerned by a sense of
                            invent an original comic strip,   honesty to my readers.”
                            Hergé came up with the
                            character of Tintin the reporter,   Post-War Boom
                            who first appear ed in the story
                            Tintin au Pays des Soviets on 10   Belgium’s oldest comic strip
                            January 1929. Over the next    journal Spirou was launched
                            10 years, the character deve-  in April 1938 and, alongside
                            loped and grew in popularity.   the weekly Journal de Tintin
        Hergé at work in his studio  Book-length stories began to   begun in 1946, became a
                            appear from 1930.    hothouse for the artistic
                              During the Nazi     talent that was to flourish
        Hergé and Tintin
                            occupation in the 1940s,   after the war. Artists such
        Tintin’s creator, Hergé, was born   Tintin continued to be   as Morris, Jijé, Peyo and
        Georges Remi in Brussels in   published, with political   Roba worked on the
        1907. He began using his pen   references carefully omit-  journal. Morris (1923–
        name (a pho netic spelling of   ted, in an approved paper   2001) introduced the
        his initials in reverse) in 1924.   Le Soir. This led to Hergé   cow boy parody Lucky
        At the young age of 15, his   being accused of collab-  Luke in Spirou in 1947,
        drawings were published    oration at the end of the   a character who went
        in the Boy Scout Journal. He   war. He was called in   on to feature in live-
        became the pro tégé of a priest,  for questioning but   Statue of Tintin   action films and US
        Abbot Norbert Wallez, who   released later the same   and Snowy  television cartoons.
        also managed the Catholic   day without charge.   Marc Sleen, another
        journal Le XXe Siècle, and was   Hergé’s innocence was amply   celebrated Belgian cartoonist,
        swiftly given the responsibility   demonstrated by his work   created the popular character
        of the children’s supplement,   before and during the war,   Nibbs (or Nero in Flemish).
          Comic Strip
          Characters
          Some of the world’s best-
          loved comic strip characters
          originated in Belgium. Tintin
          is the most famous, but
          Lucky Luke the cowboy,
          the cheeky children Suske
          en Wiske and The Smurfs
          have also been published
          worldwide. Modern artists
          such as Schueten break
          new ground.    Tintin by Hergé          Lucky Luke by Morris






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