Page 28 - (DK Eyewitness) Top 10 Travel Guide - Brussels Bruges Ghent & Antwerp
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26      INTRODUCING  BRUSSELS


        Tapestry and Lace

        For over six centuries, Belgian lace and tapestry have
        been highly prized luxury crafts. Originating in Flanders in
        the 12th century, tapestry has since been handmade
        in the centres of Tournai, Brussels, Arras, Mechelen and
        Oudenaarde, while the lace trade was practised from the
        1500s onwards in all the Belgian provinces, with Bruges and
        Brussels particularly renowned for their delicate work. The
        makers often had aristocratic patrons; intricate lace and fine   Tapestry weavers numbered
        tapes tries were status symbols of the nobility and staple   over 50,000 in Flanders from
        exports throughout Europe from the 15th to 18th centuries.   1450 to 1550. With the ruling
                                                  Dukes of Burgundy as patrons,
        Today, Belgium remains home to the very best tapestry and   weavers prospered, and hang­
        lace studios in the world.                ings grew more elaborate.



















        Tapestry designs involve
        weaver and artist working closely
        together. Painters, including
        Rubens, produced drawings for a
        series of weavings of six or more
        on grand themes (detail shown).

           The texture of the weave was the
          finest ever achieved; often 12 threads
                 to the inch (5 per cm).
                                       Tapestry
                                       By 1200, the Flemish towns of Arras (now in France)
                                       and Tournai were known across Europe as centres
                                       of weaving. Prized by the nobility, tapestries were
                                       portable and could be moved with the court
                                       as rulers travelled their estates. As trade grew,
                                       techniques were refined; real gold and silver were
                                       threaded into the fine wool, again increasing the
                                       value. Blending Italian idealism with Flemish
                                       real ism, Bernard van Orley (1492–1542) revol­
                                       utionized tapestry designs, as seen above in The
                                       Battle of Pavia 1525, the first of a series. Flemish
                                       weavers were eventually lured across Europe,
                                       where ironically their skill led to the success of the
        Weavers working today still use medieval   Gobelins factory in Paris that finally stole Flanders’
        techniques to produce contemporary tapestry,   crown in the late 1700s.
        woven in Mechelen and Tournai to modern designs.





   026-027_EW_Brussels.indd   26                            10/01/17   10:54 am
     Eyewitness Travel   LAYERS PRINTED:
     Feature template    “UK” LAYER
     (SourceReport v1.3)
     Date 18th October 2012
     Size 125mm x 217mm
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