Page 186 - (DK Eyewitness) Travel Guide - London
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184      L ONDON  AREA  B Y  AREA


       Exploring Tate Modern                   A number of the murals
                                               were presented to the Tate
       Since its inception in 2000, Tate Modern has eschewed a   shorthly before Rothko’s death
       traditional, chronological approach in favour of hanging    in 1970.
       its collections thematically, deliberately juxtaposing      On the same floor is Citizens
       pieces from different eras and continents. Two floors    and States, which looks at the
       of the main building, plus exhibition spaces in the ten-   way artists explore and engage
                                               with political and social ideas.
       storey extension, are used to show displays from the   Pablo Picasso’s Weeping Woman
       collection, each space exploring the development of    (1937) and Kazimir Malevich’s
       artistic movements or recurring themes in modern and   Dynamic Suprematism (pictured)
       contemporary art. Other spaces show temporary exhibitions   are examples of some of the
       (some with an exhibition charge). The focal point of the   works on display; there is a
       whole building is the vast Turbine Hall, often entirely    room dedicated to the German
                                               artist and activist Joseph Beuys
       taken over by a specially commissioned installation.    (1921–86).
       Works shown on these pages are examples of what might      Floor 4, enlarged by 60 per
       be on display.                          cent by the 2016 extension, has
                                               two wings: Material Worlds and
                                               Media Networks. Material
                           Located on floors 2 and 4 of the   Worlds explores the different
       The Permanent       main building are four exhibition   materials and textures used
       Collections         spaces comprising a series of   by artists. The wing features
       The collections in Tate Modern   rooms. Each space is dedicated   Marcel Duchamp’s famous
       comprise over 70,000 works    to a particular art movement    Fountain (a 1964 replica of
       of modern art by some of    or theme, with various works   the 1917 original). One of the
       the most significant and well-  exploring its origin and impact   artist’s so-called “readymades”,
       known artists of the 20th and   on modern art.   Fountain is a urinal purchased
       21st century, from Pablo Picasso    Making Traces, on floor 2,   by Duchamp and designated
       to Francis Bacon. The gallery   reviews the actions of artists   a work of art. Media Networks
       continues to acquire new    and the marks they make while   looks at how artists have
       work by artists from across    creating works. Mark Rothko’s   responded to mass media
       the globe and, as a result of    Seagram murals (1958–9) are
       an ever-expanding collection,   at the heart of the exhibition.
       displays are regularly rotated.   This series of canvasses had
       This means that major works   originally been commissioned
       are not always guaranteed to   by the opulent Four Seasons
       be on show – always check   restaurant, located in the
       online before visiting if there    Seagram building in New York.
       is a particular work you wish    The group of paintings,
       to see. In general, the best    entitled Red on Maroon and
       way to explore the gallery is    Black on Maroon, are of open,
       to take one of the regular free   rectangular, window-like forms
       guided tours (usually hourly   and are sombre in mood.
       11am–3pm, check at the   Rothko eventually decided to
       information desk) or pick up    withhold the murals from the
       an audioguide.      Four Seasons, considering
         By and large, the collections   the restaurant an inappropriate   Section of From the Freud Museum
       are displayed thematically.   environment for the works.    (1991–6) by Susan  Hiller

                               The Transformation of Bankside Power Station
                               This forbidding fortress was designed in 1947 by Sir Giles
                               Gilbert Scott, the architect of Battersea Power Station, Waterloo
                               Bridge and London’s famous red telephone boxes. The power
                               station is of a steel-framed brick skin construction, comprising
                               over 4.2 million bricks. The Turbine Hall was designed to
                               accommodate huge oil-burning generators and three vast oil
                               tanks are still in situ. The power station itself was con verted by
                               Swiss architects Herzog and de Meuron who designed the two-
                               storey glass box, or lightbeam, which runs the length of the
                               building. This serves to flood the upper galleries with light and
        The impressive exterior of Tate Modern  also provides wonderful views of London.





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